"Variété: V. Presto" by Mauricio Kagel, Ensemble Modern had its release date on January 1, 1997. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Variété: V. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mauricio Kagel, Ensemble Modern's "Kagel: Variété" album is number 5 out of 11. On top of that, France appears to be the country where this track was created. Variété: V. Presto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variété: V. Presto by Mauricio Kagel, Ensemble Modern to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rrrrrrrr: III. Acht Orgelstücke: No. 8, Rossignol enrhumés | Mauricio Kagel, Gerd Zacher | D♭ Major | 0 | 3B | 137 BPM | ||
| Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| New York Counterpoint (Version for Clarinet & Tape): I. Quarter Note = 18 | Steve Reich, Andrea Nagy | F♯ Major | 3 | 2B | 92 BPM | ||
| Iñaki - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | E Major | 1 | 12B | 123 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | F Minor | 4 | 4A | 104 BPM | ||
| String Quartet No. 4, Op. 25, "Suite": III. Adagietto (Adagio) | Alexander von Zemlinsky, Escher String Quartet | F♯ Major | 0 | 2B | 66 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Minor | 4 | 4A | 104 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 2, Alla Serenata | Erwin Schulhoff, Leonkoro Quartet | F Minor | 4 | 4A | 104 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 3, Alla Czeca | Erwin Schulhoff, Leonkoro Quartet | F Minor | 4 | 4A | 104 BPM | ||
| Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
| Lamentate: Fragile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D Major | 1 | 10B | 126 BPM | ||
| Morning Lights | The Sleepy Pianist | A♭ Major | 0 | 4B | 81 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| 4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities) | Olivier Messiaen, Håkon Austbø | E Major | 0 | 12B | 112 BPM | ||
| String Quartet No. 2, Op. 10: I. Mäßig | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | G Major | 1 | 9B | 80 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Biber: Frosch (The Frog) | Heinrich Ignaz Franz von Biber, Christina Pluhar, L'Arpeggiata, Margherita Pupulin | F Major | 1 | 7B | 88 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM |