- BPM
- 75
- Key
- D Minor
- Camelot
- 7A
Kyrie Eleison by Harold Darke, Ian Barber, David Drinkell Song Details
"Kyrie Eleison" by Harold Darke, Ian Barber, David Drinkell had its release date on July 20, 1996. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Peace I Leave with You - A Sequence of Music for the Holy Eucharist". In this album, this song's track order is #1. Kyrie Eleison is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Kyrie Eleison by Harold Darke, Ian Barber, David Drinkell having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -24.279 dB
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 11%
- Instrumentalness
- 69%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | |
 | Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | |
 | Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | |
 | The Lord Bless You and Keep You | Paul Mealor, The Same Stream, James Jordan | D♭ Major | 0 | 3B | 72 BPM | |
 | Five Mystical Songs: 5. Antiphon | Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet | E♭ Major | 3 | 5B | 57 BPM | |
 | A Hymn for St Cecilia | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 2 | 4B | 136 BPM | |
 | O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | |
 | A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | |
 | O Kom, O Kom, Immanuel | Schola Cantorum Cantate Domino | E Minor | 1 | 9A | 36 BPM | |
 | Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | |
 | Hail, Queen of Heaven | The Palestrina Choir, Blanaid Murphy | D♭ Minor | 0 | 12A | 87 BPM | |
 | A Welsh Lullaby | The Choir of All Saints' Episcopal Church | G Major | 1 | 9B | 79 BPM | |
 | Christus natus est: I. Personent hodie | Cecilia McDowall, Canterbury Chamber Choir, Parmiter's Senior Singers, Orchestra Nova | A Major | 1 | 11B | 139 BPM | |
 | Of the Father's Heart Begotten | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | E Major | 2 | 12B | 80 BPM | |
 | Ave Verum, Op. 65, No. 1 | San Francisco Girls Chorus | B♭ Minor | 0 | 3A | 78 BPM | |
 | All-Night Vigil, Op. 37: X. Having Beheld the Resurrection of Christ | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | |
 | Lo, how a Rose e'er blooming | Traditional, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 119 BPM | |
 | A Hymn to the Virgin | Benjamin Britten, Gabrieli, Paul McCreesh | A Minor | 0 | 8A | 86 BPM | |
 | Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | |
 | The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | |
 | Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | |
 | Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | |
 | Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | |
 | My Flight for Heaven | Blake R. Henson, James Jordan, Anam Cara | D♭ Major | 0 | 3B | 74 BPM | |
 | Tomorrow shall be my dancing day - Bonus Track | John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records