On April 4, 2016, the song "Bugle Call Rag" was released by Harry Roy. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Bugle Call Rag's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 23 in Down to New Orleans by Harry Roy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bugle Call Rag is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bugle Call Rag by Harry Roy is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| I May be Wrong (But I Think You're Wonderful) | Al Katz and His Orchestra | E♭ Major | 2 | 5B | 179 BPM | ||
| Organ Grinder's Song | Red Nichols and His Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Rose of Washington Square/Jazz Babies' Ball | Maceo Pinkard, James F. Hanley, Kentucky Serenaders | G Major | 2 | 9B | 79 BPM | ||
| Pop Goes Your Heart | Lew Stone & His Band | A♭ Major | 2 | 4B | 137 BPM | ||
| A Mayfair Suite | Harry Roy | E♭ Major | 1 | 5B | 90 BPM | ||
| This Is No Dream | Charlie Barnet & His Orchestra | B♭ Minor | 1 | 3A | 120 BPM | ||
| Something Came And Got Me In The Spring | Harry Roy | B♭ Major | 2 | 6B | 68 BPM | ||
| Look Who's Here | Claude Hopkins and His Orchestra, Orl, o Roberson | F Major | 2 | 7B | 183 BPM | ||
| You Mean So Much to Me | Lil Armstrong | B♭ Major | 6 | 6B | 116 BPM | ||
| You Can't Get Stuff In Your Cuff | Jimmy Dorsey | F Minor | 4 | 4A | 171 BPM | ||
| The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | C Minor | 2 | 5A | 80 BPM | ||
| I’m In A Dancing Mood | Charlie Kunz | E♭ Major | 2 | 5B | 169 BPM | ||
| My Sweetie Went Away | The Rhythm Rascals, Sid Phillips, Swing Rhythm Boys | B♭ Major | 4 | 6B | 183 BPM | ||
| That's My Baby - Remastered 1988 | Fred Waring & The Pennsylvanians | A Major | 2 | 11B | 100 BPM | ||
| Forty-Second Street | The Boswell Sisters | B♭ Minor | 1 | 3A | 103 BPM | ||
| What's the Good Word, Mister Bluebird | Harry Roy | C Minor | 3 | 5A | 182 BPM | ||
| Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
| Just Let Me Look at You | Lew Stone & His Band | B♭ Major | 1 | 6B | 143 BPM | ||
| Wishing and Waiting for Love | Nat Shilkret And His Orchestra | B♭ Major | 9 | 6B | 133 BPM | ||
| Bugle Call Rag | Harry Roy Orchestra, Harry Roy | G Minor | 2 | 6A | 187 BPM | ||
| I Wanna Be Loved (01-05-34) | Don Redman | G Major | 3 | 9B | 116 BPM | ||
| Love Letters In The Sand | Ambrose & His Orchestra | C Major | 1 | 8B | 76 BPM | ||
| Easy Come, Easy Go | Carroll Gibbons, The Savoy Hotel Orpheans | E♭ Major | 1 | 5B | 126 BPM |