"Adios Nonino (Guitar Part Transcribed For Harp)" by Leticia Moreno, Remy Van Kesteren, Pablo Mainetti, José Gallardo, Janne Saksala had its release date on September 15, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Piazzolla". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. Based on our statistics, Adios Nonino (Guitar Part Transcribed For Harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adios Nonino (Guitar Part Transcribed For Harp) by Leticia Moreno, Remy Van Kesteren, Pablo Mainetti, José Gallardo, Janne Saksala having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kremerata Baltica, Anna Vinnitskaya, Omer Meir Wellber, Winds of Staatskapelle Dresden | F Major | 3 | 7B | 155 BPM | ||
| Serenata andaluza | Manuel de Falla, Javier Perianes | D Minor | 1 | 7A | 63 BPM | ||
| Introduction et Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 93 BPM | ||
| Twenty Four Preludes & Fugues (arr. for Violin & Piano), Op.34a: No.12 In G Sharp Minor | Dmitri Shostakovich, Leticia Moreno, Lauma Skride | F♯ Major | 0 | 2B | 166 BPM | ||
| Romanian Folk Dances Sz. 56: IV. Dance from Bucium | Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 2 | 8B | 73 BPM | ||
| Schubert: Fantasie in C Major, Op. 159, D. 934: II. Allegretto | Franz Schubert, Vilde Frang, Michail Lifits | A Minor | 3 | 8A | 127 BPM | ||
| Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: III. Intermezzo | Felix Mendelssohn, Quatuor Arod | A Major | 4 | 11B | 126 BPM | ||
| Cello Sonata in G Minor, Op. 65: 3. Largo | Frédéric Chopin, David Berlin, Benjamin Martin | A♭ Major | 2 | 4B | 101 BPM | ||
| Otono porteno | Gidon Kremer, Kremerata Baltica | D Minor | 1 | 7A | 127 BPM | ||
| Dance Suite, Sz. 77, BB 86a: III. Allegro vivace - Arr. for Saxophone and Accordion by MZ Duo | Béla Bartók, MZ Duo | G Major | 1 | 9B | 66 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
| Ab Ovo (Arr. by Knoth) | Signum Saxophone Quartet | A Minor | 0 | 8A | 67 BPM | ||
| Schindler's List (Original Motion Picture Soundtrack): Theme | John Williams, Nemanja Radulović, Les Trilles Du Diable | D Minor | 1 | 7A | 129 BPM | ||
| Brahms: 21 Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Kennedy, Lenehan & Messiter) | Johannes Brahms, Nigel Kennedy, English Chamber Orchestra | G Minor | 2 | 6A | 109 BPM | ||
| Radiant Moments | Veridia | G Major | 1 | 9B | 66 BPM | ||
| Piazzolla: Concierto para quinteto (Arr. Runge & Ammon for Piano Quintet) | Artemis Quartet, Jacques Ammon | G Minor | 2 | 6A | 76 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto | Wolfgang Amadeus Mozart, Martha Argerich, Bavarian Radio Symphony Orchestra, Eugen Jochum | G Minor | 1 | 6A | 103 BPM | ||
| Introduction & Rondo capriccioso in A Minor, Op. 28 | Camille Saint-Saëns, Tedi Papavrami, Orchestre Philharmonique Royal de Liège Wallonie Bruxelles, François-Xavier Roth | A Minor | 1 | 8A | 133 BPM | ||
| String Quartet in F Major, Hob.III:17: II. Andante Cantabile | Roman Hoffstetter, Quatuor Modigliani | C Major | 0 | 8B | 77 BPM | ||
| Galiano: Opale Concerto: II. Moderato malinconico | Gwen Cresens | D Minor | 1 | 7A | 106 BPM | ||
| Danza Nº5 Andaluza, De 12 Danzas Españolas, Op.37 | Enrique Granados, Leticia Moreno, Ana-Maria Vera | E Minor | 0 | 9A | 167 BPM | ||
| Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano) | Claude Debussy, Vilde Frang, José Gallardo | G Major | 1 | 9B | 125 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Lisa Batiashvili, Hélène Grimaud | F Major | 0 | 7B | 75 BPM |