Swati Mishra, Mohit Musik, Ravindra Jain's 'Bolo Radha Radha Naam' had a release date set for December 3, 2024. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Bolo Radha Radha Naam and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bolo Radha Radha Naam's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bolo Radha Radha Naam by Swati Mishra, Mohit Musik, Ravindra Jain is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radhe Kaunse Punya Kiye Tumne | Swasti Mehul | F♯ Minor | 5 | 11A | 85 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Mere Kanhaiya | Devi Chitralekha, Padmini Kolhapure | A Major | 5 | 11B | 135 BPM | ||
| Radha Rani Lage - Slowed & Reverb | Simpal Kharel | C Major | 8 | 8B | 80 BPM | ||
| Ye Chamak Ye Damak Sab Kuchh Sarkar Tumhi Se Hai | Prakash Gandhi | D Major | 5 | 10B | 102 BPM | ||
| Teeno Lokan Se | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Bas Ram Ho | Hansika Pareek, Khushi Pareek, Aditya Bisht | D Major | 3 | 10B | 90 BPM | ||
| Bhole Baba Mere Hai Me Beta Hu Mahakal Ka | Nitin Bagwan | D Major | 8 | 10B | 176 BPM | ||
| Jap Le Sita Ram | Sireesha Bhagavatula | D Major | 6 | 10B | 146 BPM | ||
| Mere Ghar Ram Aaye Hain - Female | Simpal Kharel | A♭ Major | 3 | 4B | 150 BPM | ||
| Tum Prem Ho | Saloni Thakkar | D Major | 3 | 10B | 120 BPM | ||
| Joganiya | Gaurav Krishna Goswami | F♯ Minor | 8 | 11A | 121 BPM | ||
| Ram aa Gaye | Payal Dev, Pawan Singh | G Major | 8 | 9B | 99 BPM | ||
| Saanson Ki Mala Pe Simroo Main Shiv Ka Naam | Shagun Sodhi | D Minor | 6 | 7A | 134 BPM | ||
| Daya Ki Kardo Nazar | Devi Neha Saraswat | C Minor | 5 | 5A | 170 BPM | ||
| Mere Bhole Mere Shiva | Sugat Dhanvijay, Sangita Singhh, Gaurav Chati | A♭ Major | 8 | 4B | 90 BPM | ||
| Nagari Ho Ayodhya Si | Simpal Kharel | D♭ Major | 7 | 3B | 92 BPM | ||
| Sanware Tu Vada Kar - Shyam Bhajan | Sheetal Pandey | C Major | 6 | 8B | 90 BPM | ||
| Shyam Ka Rang Chad Gaya | Pramod Tripathi, Aadesh Shrivastava | D♭ Major | 6 | 3B | 82 BPM | ||
| Ashutosh Shashank Shekhar | Samarpit the band | F Major | 4 | 7B | 115 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Aaye Gaye Raghunandan | Swati Mishra, Mohit Musik | E♭ Major | 5 | 5B | 75 BPM | ||
| Vrindavan Jaungi | Vandana Jangir | E♭ Minor | 10 | 2A | 75 BPM |