小林啓子's 'かなしみごっこ' had a release date set for December 25, 1972. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in かなしみごっこ, so we believe that "かなしみごっこ" is a single. In terms of popularity, かなしみごっこ is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of かなしみごっこ by 小林啓子 is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| やすらぎ | Toshio Kurosawa | C Minor | 4 | 5A | 102 BPM | ||
| ユーヴ・ガット・ア・フレンド | 小林啓子 | C Major | 4 | 8B | 144 BPM | ||
| とまり木もよう | Ken Kuroki | A Minor | 3 | 8A | 100 BPM | ||
| ミカンが実る頃 | 藍美代子 | F Minor | 8 | 4A | 147 BPM | ||
| 残雪 | Kazuo Funaki | F Minor | 3 | 4A | 89 BPM | ||
| 親父 | Kyu Sakamoto | F♯ Minor | 4 | 11A | 84 BPM | ||
| 五才の頃 | Junko Sakurada | C Major | 3 | 8B | 123 BPM | ||
| 誰もいない海 | Fubuki Koshiji | C Minor | 3 | 5A | 75 BPM | ||
| LOVE LOVE LOVE | 布施明 | F Major | 3 | 7B | 76 BPM | ||
| 今・今・今 | Kiyohiko Ozaki | C Minor | 3 | 5A | 111 BPM | ||
| 夜の東京の片隅で | Ken Kuroki | B♭ Minor | 3 | 3A | 91 BPM | ||
| 南海の美少年(天草四郎の唄) | Yukio Hashi, 東京少年合唱隊 | A♭ Major | 3 | 4B | 95 BPM | ||
| 男がかける夢の橋 | 渡 哲也, 坂芳子 | D Major | 3 | 10B | 103 BPM | ||
| 昼下り | 小林啓子 | F Major | 4 | 7B | 83 BPM | ||
| やさしい雨 | Billy Ban Ban | E Major | 6 | 12B | 176 BPM | ||
| 悲しみの証明 | Iruka | E Major | 3 | 12B | 141 BPM | ||
| さすらい時代 | Masatoshi Nakamura | G Major | 1 | 9B | 68 BPM | ||
| 女はそれを我慢できない | Ann Lewis | B♭ Minor | 7 | 3A | 109 BPM | ||
| 朝やけ | 渡 哲也 | C Minor | 4 | 5A | 95 BPM | ||
| 袋小路 | Hiromi Ota | D Minor | 3 | 7A | 127 BPM | ||
| Hisame | Masako Mori | F Minor | 4 | 4A | 79 BPM | ||
| 私は一人片隅で ET MOI DANS MON COIN | Yukari Kaneko | E Minor | 2 | 9A | 109 BPM | ||
| さよなら、今日は | Rie Asakura | B Major | 5 | 1B | 101 BPM | ||
| 触れもせず | Miyuki Nagai | A♭ Major | 4 | 4B | 80 BPM | ||
| 残照 | Chiharu Matsuyama | B♭ Major | 3 | 6B | 142 BPM |