"15 Years" by Rael Jones had its release date on May 19, 2017. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rael Jones's "Harlots (Original Television Soundtrack)" album is number 27 out of 54. On top of that, United Kingdom appears to be the country where this track was created. 15 Years is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 15 Years by Rael Jones to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| Jett's Got Bars | Kris Bowers | B♭ Minor | 6 | 3A | 150 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| They Come for Benoit | Rael Jones, Anthony Weeden | C Minor | 1 | 5A | 141 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| A Proper Angel | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| La Quête | Polerik Rouvière | B♭ Minor | 6 | 3A | 150 BPM | ||
| Manacled | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | C Minor | 5 | 5A | 142 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| Not Bad, Right? | Kris Bowers | B♭ Minor | 6 | 3A | 150 BPM | ||
| The Tavern Heist | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | C Minor | 5 | 5A | 142 BPM | ||
| The Four Houses | J Scott Rakozy, Hogwarts Legacy | C Major | 1 | 8B | 75 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Once Again on the Bridge | Maurizio Malagnini | D Major | 0 | 10B | 183 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM |