V's 'Faux' had a release date set for February 17, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 3 in Faux Pas EP by Juan Atkins, Moritz Von Oswald, V. Based on our statistics, Faux's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Faux by V is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Violin Concerto in D minor for 2 Violins & Orchestra, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier, Gunther Korner, Richard Lester | G Minor | 4 | 6A | 83 BPM | ||
| Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, David Parry, London Philharmonic Orchestra | D♭ Major | 0 | 3B | 133 BPM | ||
| Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
| Houslap (Fitness Version 140 Bpm / 32 Count) | C, V | A Major | 4 | 11B | 84 BPM | ||
| Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
| 2 | Bundy Yardie, Taey Kane, V | C Major | 9 | 8B | 130 BPM | ||
| Plus Que Ma Prope Vie | Carter Burwell | C Minor | 1 | 5A | 74 BPM | ||
| Live for This | Murder The Mood, V, Grim | C Major | 9 | 8B | 130 BPM | ||
| Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
| Piano Sonata No.8 In C Minor Op.13 (Pathetique) | Berlin Symphonic Orchestra | A♭ Major | 0 | 4B | 137 BPM | ||
| Mirror in the Mirror | Le grand orchestre classique, Larry Dalton, Maurice Sklar | F Major | 3 | 7B | 99 BPM | ||
| Agnus Dei, Op. 11 | Samuel Barber, Ormond College Choir, Douglas Lawrence | D Major | 0 | 10B | 104 BPM | ||
| Hana-Bi (From "Hana-Bi") | Joe Hisaishi, Angèle Dubeau, La Pietà | G Minor | 1 | 6A | 70 BPM | ||
| Truman Sleeps, from ''The Truman Show'' | Jeroen van Veen | F Minor | 0 | 4A | 101 BPM | ||
| Je te veux | Erik Satie, Roland Pöntinen | G Major | 0 | 9B | 136 BPM | ||
| Next Up | 3L Maro, Xav, V | D Major | 9 | 10B | 128 BPM | ||
| Mon Vieil Amour - Original | V | F Minor | 7 | 4A | 118 BPM | ||
| Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | ||
| Canon in D for Real Orchestra - Remastered | Walter Rinaldi, J.S. Bach Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Gnossiennes 1 | Edward Cullen | F Minor | 0 | 4A | 78 BPM | ||
| Jacob's Theme [From "Eclipse"] | Joseph Alchstein | C Major | 1 | 8B | 87 BPM | ||
| Piano Sonata No. 14 In C Sharp Minor - Moonlight - Adagio sostenuto | The Jane Austen Era | D♭ Minor | 0 | 12A | 166 BPM |