George Gershwin, John Williams, Boston Pops Orchestra's ''S Wonderful (From "Funny Face") [Arr. S. Ramin for Orchestra] - Instrumental' had a release date set for May 4, 1993. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Unforgettable". In this album, this song's track order is #13. 'S Wonderful (From "Funny Face") [Arr. S. Ramin for Orchestra] - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 'S Wonderful (From "Funny Face") [Arr. S. Ramin for Orchestra] - Instrumental by George Gershwin, John Williams, Boston Pops Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 1 | 4B | 77 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner, Chicago Symphony Orchestra | C Minor | 1 | 5A | 147 BPM | ||
| Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 10 | 4B | 136 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Fascinatin' Rhythm | Leon Bates, George Gershwin | E♭ Major | 1 | 5B | 145 BPM | ||
| Rodeo: III. Ranch House Party | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | B♭ Major | 3 | 6B | 156 BPM | ||
| Cuban Overture | New Zealand Symphony Orchestra, George Gershwin | E Minor | 2 | 9A | 94 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Merry Widow Waltz | Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley | F Major | 4 | 7B | 79 BPM | ||
| 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 71 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Piano Concerto in A Minor, Op. 7: Romanze. Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | E♭ Major | 0 | 5B | 128 BPM | ||
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) | George Gershwin, Andreas Ottensamer, Julien Quentin | C Minor | 2 | 5A | 194 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
| Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM |