Moscow RTV Symphony Orchestra, Fuat Mansurov's ' "Sylvia: Balletmusic: Pizzikato" was released on its scheduled release date, 2009. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Moscow RTV Symphony Orchestra's "Legendary Artists: Moscow RTV Symphony Orchestra" album is number 2 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Sylvia: Balletmusic: Pizzikato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sylvia: Balletmusic: Pizzikato by Moscow RTV Symphony Orchestra, Fuat Mansurov to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Czardas from 'Coppelia' | London Philharmonic Orchestra | D Major | 3 | 10B | 141 BPM | ||
| La bayadère: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 81 BPM | ||
| Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
| The Musical Snuff Box | Le grand orchestre classique, Eric Robinson, New Symphony Orchestra, Ronnie Chamberlain | A Major | 3 | 11B | 114 BPM | ||
| Harmonie-Polka, Op. 106 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 3 | 7B | 96 BPM | ||
| La Bella Durmiente Adagio | Orquestra Sinfonica De Radio Praga | E♭ Major | 1 | 5B | 60 BPM | ||
| Le Lac des cygnes, Acte 2: Moderato | Orchestre Symphonique de Minneapolis, Antal Doráti | E Minor | 3 | 9A | 95 BPM | ||
| Eugene Onegin: Act II. Waltz | Moscow RTV Symphony Orchestra, Vladimir Fedoseyev | D Major | 4 | 10B | 70 BPM | ||
| Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
| Masquerade Suite: II. Nocturne | Moscow RTV Symphony Orchestra, Karen Khatchaturian | F♯ Minor | 3 | 11A | 75 BPM | ||
| Havanese for Violin and Orchestra Op. 63 | Camille Saint-Saëns, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra, Sergei Stadler | B Major | 1 | 1B | 141 BPM | ||
| Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
| Belle Of The Ball | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | A Major | 3 | 11B | 111 BPM | ||
| Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
| Barre: Pliés (Suite des fleurs) | Tadeusz Gieysztor | E♭ Major | 2 | 5B | 71 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
| Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 2 | 9B | 82 BPM | ||
| Le carnaval des animaux, R. 125: XIV. Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
| Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
| The Skaters Waltz | The Manhattan Pops | A Major | 3 | 11B | 186 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
| Petit Allegro 6/8 Clog Dance Steady Tempo | Debbi Parks | G Minor | 1 | 6A | 124 BPM |