"#14" by Aphex Twin had its release date on March 7, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Selected Ambient Works Volume II". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. The popularity of #14 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With #14 by Aphex Twin having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 1700 | Placid Angles | F♯ Major | 1 | 2B | 170 BPM | ||
| 遠くの愛好家 | 2814 | D Major | 2 | 10B | 132 BPM | ||
| Abandon | Laurel Halo, Bendik Giske, Lucy Railton, James Underwood | D♭ Major | 6 | 3B | 81 BPM | ||
| Birds On The Tarmac (Footnote III) | Leon Vynehall | E♭ Major | 5 | 5B | 143 BPM | ||
| The Word Love - Original Mix | Gigi Masin | A Minor | 0 | 8A | 70 BPM | ||
| Median I | Good Night & Good Morning | E Major | 1 | 12B | 71 BPM | ||
| Little Deer Isle | Jefre Cantu-Ledesma | C Major | 6 | 8B | 105 BPM | ||
| 5-Methoxy-N, N-Dimethyltryptamine: (5-MeO-DMT) | Coil | D♭ Major | 9 | 3B | 77 BPM | ||
| Trad Velecido | Casino Versus Japan | A♭ Major | 5 | 4B | 158 BPM | ||
| At a Loss | Brian McBride | F Major | 2 | 7B | 88 BPM | ||
| The Other Face | Fennesz | D♭ Major | 6 | 3B | 146 BPM | ||
| arpeggiated romance | Merely, Malibu | E Major | 3 | 12B | 175 BPM | ||
| Magnificent Gallery - High Definition Remaster | Steve Roach | E Minor | 2 | 9A | 89 BPM | ||
| Omni Vignette | Clark | D♭ Major | 0 | 3B | 112 BPM | ||
| As the Sun Kissed the Horizon | Biosphere | D Major | 0 | 10B | 86 BPM | ||
| Radiance III - Edit | Basic Channel | E♭ Major | 2 | 5B | 138 BPM | ||
| midi pipe1c sds3time cube/klonedrm | AFX | D Minor | 4 | 7A | 198 BPM | ||
| Gekkoh | Susumu Yokota | B♭ Major | 6 | 6B | 111 BPM | ||
| Acrid Avid Jam Shred | Aphex Twin | D♭ Minor | 9 | 12A | 185 BPM | ||
| Moderato | Astrid Sonne | F Minor | 1 | 4A | 57 BPM | ||
| Seraph V | How to Disappear Completely | C Major | 1 | 8B | 140 BPM | ||
| #14 | Aphex Twin | D♭ Major | 3 | 3B | 176 BPM | ||
| #2 | Aphex Twin | D♭ Major | 3 | 3B | 176 BPM | ||
| Waveform - 1996 Remix | Rapoon | C Major | 1 | 8B | 96 BPM | ||
| Poa Alpina | Biosphere | G Minor | 0 | 6A | 130 BPM |