Raaj Kumar's ' "Well Come - Dialogues" was released on its scheduled release date, December 31, 1965. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Waqt (Original Motion Picture Soundtrack) by Ravi. The song's track number on the album is #3 out of 21 tracks. In terms of popularity, Well Come - Dialogues is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Well Come - Dialogues by Raaj Kumar has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Well Come - Dialogues being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| De De Khuda Ke Naam Pe (From "Alam Ara") | Wazir Mohammed Khan, B. Irani, Firozshah Mistry | G Major | 3 | 9B | 121 BPM | ||
| Main Aur Mera Saya (with Commentary) | Bhupen Hazarika, Gulzar | B Minor | 5 | 10A | 136 BPM | ||
| Tel Malish Boot Polish | Mukesh | A♭ Major | 3 | 4B | 76 BPM | ||
| Karun Kya Aas Nirash Bhai | K. L. Saigal | A Major | 1 | 11B | 81 BPM | ||
| Dhadak Dhadak Tere Bin Mera Jiyara | Suraiya | D♭ Major | 1 | 3B | 66 BPM | ||
| Voice Over And Meri Duniya Mein | Seema Alimchandani, Lata Mangeshkar, Mohammed Rafi, Raaj Kumar, Priya | G Major | 3 | 9B | 73 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Mere Bichhade Hue Saathi | Pradeep | D Major | 2 | 10B | 128 BPM | ||
| Gopal Krishna | J. Om Prakash | G Major | 3 | 9B | 121 BPM | ||
| Raj Kapoor Speaks And Jane Kaha Gaye Woh Din Film - Mera Naam Jokar | Mukesh, Raj Kapoor, Shankar Jaikishan | F Minor | 4 | 4A | 143 BPM | ||
| Jabse Hum Tum Baharon Mein - 1 | Kamal Barot, Mukesh | D♭ Major | 4 | 3B | 75 BPM | ||
| Chhod Gaye Balam Mujhe - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mukesh | G Major | 7 | 9B | 119 BPM | ||
| Dilruba Dilruba | Hemlata, Ravindra Jain | A♭ Major | 4 | 4B | 96 BPM | ||
| Gyarah Vachan | Anup Jalota, Jyotsna Dixit, Reddy | D Major | 2 | 10B | 108 BPM | ||
| Yeh Baharon Ka Sama | Hemant Kumar | C Minor | 2 | 5A | 98 BPM | ||
| Lakhon Tare Aasman Mein (Hariyali Aur Rasta) - Commentary | Lata Mangeshkar, Mukesh, Ameen Sayani | B Minor | 6 | 10A | 90 BPM | ||
| Tere Utte Laal Chunari | Ravindra Jain, Kavita Krishnamurthy | G Major | 3 | 9B | 121 BPM | ||
| Sarangay Namoh Namah | Arun Dangle | E Major | 5 | 12B | 111 BPM | ||
| Khwabon Ki Duniya | Mukesh | F Major | 1 | 7B | 119 BPM | ||
| Abhay Pade Pran Sopechi | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 4 | 3B | 130 BPM | ||
| Achra Mein Phoolva | Ravindra Jain | B♭ Major | 6 | 6B | 144 BPM | ||
| Dialogue: (Deewaar) The Beginning Of The End. Vijay Meets Davar And Joins The Gang - Deewaar / Soundtrack Version | Amitabh Bachchan, Iftekhar Imam | G Major | 3 | 9B | 116 BPM | ||
| Kahe Koyal Shor Machaye Re | Shamshad Begum | A♭ Major | 5 | 4B | 180 BPM | ||
| Keya Bath Hai Doctor Shab - Dialogues | Balraj Sahni, Sunil Dutt, Raaj Kumar, Shashi Kapoor, Sharmila Tagore, Achala Sachdev, Shashikala, Rehman, Motilal, Madan Puri, Traditional | A♭ Major | 3 | 4B | 126 BPM | ||
| Mana Teri Nazar Mein - From "Khandaan" | Sulakshana Pandit | C Major | 5 | 8B | 142 BPM |