"Die Walküre: Als junger Liebe Lust mir verblich," by Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Friedrich Schorr, Marjorie Lawrence had its release date on October 1, 2021. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 69 in Die Walküre by Richard Wagner, Lotte Lehmann, Marjorie Lawrence, Lauritz Melchior, Friedrich Schorr, Kertin Thorborg, Emanuel List, Winifred Heidt, Doris Doe, Maxine Stellmann, Thelma Votpka, Dorothee Manski, Irene Jessner, Lucielle Browning, Helen Olheim, Metropolitan Opera Orchestra, Erich Leinsdorf, Milton Cross, Serge Koussevitzky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Die Walküre: Als junger Liebe Lust mir verblich, is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Walküre: Als junger Liebe Lust mir verblich, by Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Friedrich Schorr, Marjorie Lawrence is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
| Symphony in C Major, GB 115: IV. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 137 BPM | ||
| Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 3 | 8B | 58 BPM | ||
| Verdi: Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra, Alessandra Marc, Chicago Symphony Chorus, Ferruccio Furlanetto, Plácido Domingo, Waltraud Meier | F Minor | 1 | 4A | 77 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
| Symphony No. 2, Op. 9, "Antar": I. Largo - Allegro - Largo - Allegretto - Adagio - Allegretto - Largo | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | F♯ Major | 0 | 2B | 71 BPM | ||
| L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
| Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | D Minor | 3 | 7A | 79 BPM | ||
| Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | D♭ Minor | 1 | 12A | 165 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Symphony No. 7 in C Major, Op. 60, "Leningrad": II. Moderato | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | G Major | 0 | 9B | 73 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Puccini: Tosca, Act 3 Scene 4: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 2 | 8B | 84 BPM | ||
| Macbeth: Soldiers' Chorus 'Or co'dadi, ma fra poco' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Parsifal, Act I: Nun achte wohl und laß mich seh'n | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Minor | 2 | 7A | 82 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: VII. Variation VI Andantino | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 2 | 10B | 90 BPM | ||
| Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
| Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM |