David Bo Ramsay, Tobias's ' "Don't Give a Damn" was released on its scheduled release date, 1992. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Standing Still". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Don't Give a Damn is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Don't Give a Damn by David Bo Ramsay, Tobias having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sons of the Second Sons | James McMurtry | D Major | 8 | 10B | 90 BPM | ||
| Concrete Dialogue | Chris Cresswell | E Major | 4 | 12B | 158 BPM | ||
| Take It or Leave It | Charlie White | E Major | 4 | 12B | 154 BPM | ||
| The Birth Of The True | Aztec Camera | G Major | 2 | 9B | 116 BPM | ||
| I've Been Meaning to Sing You the Song | Sivert Høyem | C Major | 4 | 8B | 135 BPM | ||
| The Hand That Held Me Down | Two Gallants | B Major | 9 | 1B | 136 BPM | ||
| Living Room | David Gray | E Major | 4 | 12B | 89 BPM | ||
| Get Me | J Mascis | C Major | 4 | 8B | 145 BPM | ||
| Beggar's Blues | Mark Lanegan | A Major | 2 | 11B | 79 BPM | ||
| Dress My Wounds | Mook | B Major | 1 | 1B | 126 BPM | ||
| Sweet Morphine | The Gaslight Anthem | A Major | 7 | 11B | 76 BPM | ||
| How Will You Meet Your End | A.A. Bondy | B Minor | 3 | 10A | 142 BPM | ||
| Sponge | Vic Chesnutt | B♭ Major | 3 | 6B | 94 BPM | ||
| Since I've Been Around | The Waifs | B♭ Major | 3 | 6B | 76 BPM | ||
| Alaska Song | Blackwater Railroad Company | A Minor | 5 | 8A | 131 BPM | ||
| Cowboy | Shotgun Bill, The Tango Kid | D Major | 5 | 10B | 184 BPM | ||
| Silver Wings (3 AM Edition) (feat. John Rodgers) | Jameson Rodgers, John Rodgers | D Major | 3 | 10B | 100 BPM | ||
| A Story with Meaning | Seasick Dolphins | E Minor | 3 | 9A | 100 BPM | ||
| Campaigner | Neil Young | F Major | 3 | 7B | 117 BPM | ||
| Lullaby | Noir Désir | A Minor | 5 | 8A | 123 BPM | ||
| The Unguarded Moment (Acoustic) | Steve Kilbey | G Minor | 9 | 6A | 128 BPM | ||
| Love at a Distance | Tojo Page | F Major | 7 | 7B | 160 BPM | ||
| Night Train | Bruce Cockburn | F♯ Minor | 6 | 11A | 159 BPM | ||
| Live Well | Barenaked Ladies | C Major | 6 | 8B | 126 BPM | ||
| Not Forget Her | Cul De Sac Kings | C Major | 7 | 8B | 80 BPM |