"海のうへ" by Rentaro Taki had its release date on November 21, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 抒情組曲『瀧 廉太郎』合唱と室内アンサンブルによる, so we believe that "海のうへ" is a single. 海のうへ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 海のうへ by Rentaro Taki is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Yellow River Piano Concerto: I. Prelude. The Song of the Yellow River Boatmen | Wanghua Chu, Shucheng Shi, Li Hong Sheng, Zhuang Liu, Fei-sheng Xu, Chengzong Yin, Slovak Radio Symphony Orchestra, Adrian Leaper | A♭ Major | 4 | 4B | 77 BPM | ||
| Spanish Dances, Op. 21: No. 2, Habañera | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | A Minor | 2 | 8A | 93 BPM | ||
| Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
| 序曲とロンド・カプリチオーソ | Camille Saint-Saëns, 井上道義, 新日本フィルハーモニー交響楽団, ジャン=ジャック・カントロフ | A Major | 1 | 11B | 95 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
| レスピーギのシチリアーノ | レスピーギ, レックス・サウンド・オーケストラ | G Major | 1 | 9B | 88 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Sonata in D minor, K 141 | Domenico Scarlatti, Pierre Hantaï | D♭ Minor | 5 | 12A | 140 BPM | ||
| Dancing Doll - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | B♭ Major | 1 | 6B | 137 BPM | ||
| Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): III. Variation 2 | Johann Baptist Vanhal, Claudio Ferrarini | F Minor | 1 | 4A | 108 BPM | ||
| 前奏曲 第15番 変ニ長調 作品28の15《雨だれ》 | Frédéric Chopin, Fujiko Hemming | D♭ Major | 0 | 3B | 89 BPM | ||
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
| For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | E Minor | 0 | 9A | 74 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSII): IV. Variation 2 | Ernst Krähmer, Claudio Ferrarini | F Minor | 1 | 4A | 108 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Mavra, K39: Chanson russe (Arr. Knigge for Recorder & Ensemble) | Lucie Horsch, LUDWIG Orchestra, Igor Stravinsky | A Minor | 4 | 8A | 121 BPM |