"Insubordination (Original Score)" by Jonathan Beales, Matthew Rees had its release date on December 2, 2017. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Insubordination (Original Score)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 42 in Codumentary (Original Motion Picture Soundtrack) by Jonathan Beales, Matthew Rees. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Insubordination (Original Score) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Insubordination (Original Score) by Jonathan Beales, Matthew Rees is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VIVIR | COLORS BEAT | D♭ Minor | 0 | 12A | 218 BPM | ||
| Put Them Out There | Brandon Roberts | D Major | 5 | 10B | 100 BPM | ||
| Paranoia | Robert L. Euvino | G Major | 1 | 9B | 100 BPM | ||
| Together | Henry Jackman | G Major | 0 | 9B | 133 BPM | ||
| Making a Difference (Original Motion Picture Soundtrack) | Jonathan Beales, Matthew Rees | C Minor | 0 | 5A | 180 BPM | ||
| 3 Disturbing True Dog Walking Horror Stories - Part 5 | Mr. Nightmare | C Major | 2 | 8B | 77 BPM | ||
| Mysterious Trails | Borislav Slavov | F Minor | 1 | 4A | 145 BPM | ||
| Cursed Elegy | Dark Orchestral Music | C Minor | 0 | 5A | 130 BPM | ||
| Jagged Peak | Tai Tomisawa | A Major | 0 | 11B | 35 BPM | ||
| The Bed Axe | Harry Manfredini | C Major | 1 | 8B | 72 BPM | ||
| No Quarter | Inon Zur, Fallout | D♭ Major | 4 | 3B | 140 BPM | ||
| City of Ruin | Inon Zur, Fallout | D Major | 1 | 10B | 83 BPM | ||
| Suspenso Accion 3 Ed Jt Master | Tena, Martinez Vara Jorge Felix | G Major | 1 | 9B | 80 BPM | ||
| The Forbidden Line - Score | James Newton Howard | C Minor | 1 | 5A | 49 BPM | ||
| Passage Through the Planet Core | John Williams, London Symphony Orchestra | C Major | 1 | 8B | 77 BPM | ||
| Return to Wwii (Original Score) | Jonathan Beales, Matthew Rees | G Major | 0 | 9B | 64 BPM | ||
| Perhe | Lasse Enersen | B♭ Major | 0 | 6B | 68 BPM | ||
| Conquest | Justin Bell | D Major | 0 | 10B | 76 BPM | ||
| Visiting the Ships | Jeff Russo | B♭ Major | 0 | 6B | 68 BPM | ||
| A Remembrance of the Executor | Tai Tomisawa | A Major | 6 | 11B | 167 BPM | ||
| Barrel Off Starboard | John Williams | G Major | 0 | 9B | 112 BPM | ||
| Peaceful Waters | Jeremy Soule | E Minor | 0 | 9A | 77 BPM | ||
| 3 Suspects | David Arnold, Michael Price | B Major | 2 | 1B | 104 BPM | ||
| Camp Blood | Harry Manfredini | G Major | 1 | 9B | 63 BPM | ||
| Big Black Backwards | Agents Of Oblivion | C Major | 4 | 8B | 180 BPM |