"Last Train to Tomorrow: Prelude" by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Last Train to Tomorrow: Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 22 in Carl Davis: Last Train to Tomorrow by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Last Train to Tomorrow: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Last Train to Tomorrow: Prelude by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doctor Zhivago (Main Title) | Maurice Jarre | A Minor | 2 | 8A | 101 BPM | ||
| West Side Story: Overture (Arr. M. Peress) | Leonard Bernstein, BBC Concert Orchestra, Carl Davis | E Major | 4 | 12B | 145 BPM | ||
| Flower Duet | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | F Major | 2 | 7B | 117 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
| Ocean of Dreams | Moscow Symphony Orchestra, Ian Mulder | B♭ Major | 3 | 6B | 136 BPM | ||
| Austenland Symphony: II. Romanze | Ilan Eshkeri | G Major | 2 | 9B | 74 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest": I. Zadok the Priest | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 0 | 3B | 67 BPM | ||
| Cranford: Deception and Rash | Carl Davis | C Major | 1 | 8B | 143 BPM | ||
| Alice in Wonderland, Act II: The Queen of Hearts | Carl Davis, Prague City Philharmonic Orchestra | G Minor | 0 | 6A | 120 BPM | ||
| Kings Row; Main Title (From "Kings Row") | Charles Gerhardt, Grover Helsley | B Major | 3 | 1B | 90 BPM | ||
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Pomp And Circumstance | London Philharmonic Choir | D Major | 3 | 10B | 95 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
| Fantasia on Greensleeves (Arr. R. Greaves for Orchestra) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 108 BPM | ||
| Riverdance, A Symphonic Suite: V. Firedance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | G Major | 3 | 9B | 96 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| The Battle of Britain Suite: III. Work and Play | Ron Goodwin, Rumon Gamba, BBC Philharmonic | F Major | 1 | 7B | 60 BPM |