Charles Gerhardt, Grover Helsley's ' "Kings Row; Main Title (From "Kings Row")" was released on its scheduled release date, 1972. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 12 in Classic Film Scores: The Sea Hawk by Charles Gerhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Kings Row; Main Title (From "Kings Row") is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kings Row; Main Title (From "Kings Row") by Charles Gerhardt, Grover Helsley is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| Trumpet Voluntary | London Concert Orchestra | D Major | 2 | 10B | 101 BPM | ||
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 4 in F Minor. Poco sostenuto (Orch. Juon in F-Sharp Minor) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Ivor Bolton | G Minor | 2 | 6A | 105 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Strauss, Johann II: Kaiser-Walzer, Op. 437 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM | ||
| Water Music: Alla Hornpipe (Variant '12) | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 2 | 12B | 121 BPM | ||
| Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| The Big Sleep: Love Themes | Charles Gerhardt | G Major | 2 | 9B | 80 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
| By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
| The Hunters (Main Title) [From "The Bravados"] | Charles Gerhardt | C Minor | 6 | 5A | 50 BPM | ||
| Peer Gynt, Op. 23: No. 15, Prelude. Morning Mood | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 0 | 6B | 95 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
| The Octopus - Homecoming (From "Beneath the 12-Mile Reef") | Bernard Herrmann, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 4 | 11A | 125 BPM |