Chris Connor's ' "Hush, Hush, Sweet Charlotte" was released on its scheduled release date, January 26, 2013. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Hush, Hush, Sweet Charlotte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Chris Connor's "Gentle Bossa Nova" album is number 8 out of 12. The popularity of Hush, Hush, Sweet Charlotte is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Hush, Hush, Sweet Charlotte by Chris Connor to be Prestissimo (even faster than presto) because the track has a tempo of 206 BPM, a half-time of 103BPM, and a double-time of 412 BPM. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Old Fashioned | Sarah McKenzie | A Minor | 4 | 8A | 114 BPM | ||
| One Love Affair | Chris Connor | A♭ Major | 0 | 4B | 117 BPM | ||
| Saturday Night is the Loneliest Night | Anne Phillips | B♭ Minor | 2 | 3A | 102 BPM | ||
| Weren't We Fools | Jeri Southern | C Major | 1 | 8B | 91 BPM | ||
| You Stepped out of a Dream - 2007 Remaster | Sarah Vaughan | D♭ Major | 2 | 3B | 131 BPM | ||
| Memphis In June | Irene Kral | A♭ Major | 1 | 4B | 92 BPM | ||
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| I Let A Song Go Out Of My Heart | Lena Horne | A Major | 2 | 11B | 103 BPM | ||
| Everybody Knew But Me | Irene Kral | A Minor | 2 | 8A | 64 BPM | ||
| Wrap Your Troubles In Dreams | Sue Raney | A Minor | 2 | 8A | 101 BPM | ||
| No Moon At All | Jeri Southern | E Minor | 1 | 9A | 117 BPM | ||
| How Deep Is The Ocean | Catherine Russell | F Minor | 3 | 4A | 105 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| I Miss You So | Chris Connor | B♭ Major | 1 | 6B | 68 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Major | 2 | 7B | 102 BPM | ||
| The Song Is You | Dakota Staton | D Major | 5 | 10B | 132 BPM | ||
| In the Night | Dakota Staton | F♯ Minor | 2 | 11A | 78 BPM | ||
| Lover, Come Back To Me | Mildred Bailey | E Minor | 1 | 9A | 78 BPM | ||
| Something Happens To Me | Blossom Dearie | F Major | 2 | 7B | 113 BPM | ||
| I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
| Almost Like Being in Love (2003 - Remaster) | Lester Young | C Major | 2 | 8B | 128 BPM | ||
| Farmer's Market | Annie Ross | A♭ Major | 4 | 4B | 89 BPM | ||
| You're Not So Easy To Forget | Morgana King | F Minor | 2 | 4A | 118 BPM | ||
| Show Me | Lorez Alexandria | F♯ Major | 2 | 2B | 84 BPM |