"Concerto for Saxophone - Quartet: Movevement I" by Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck had its release date on November 14, 2002. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The track order of this song in Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck's "Glass: Saxophone" album is number 1 out of 20. On top of that, United States appears to be the country where this track was created. Concerto for Saxophone - Quartet: Movevement I is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Saxophone - Quartet: Movevement I by Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scene 1 | Michael Galasso | A Minor | 2 | 8A | 117 BPM | ||
| Longe | Dom La Nena | F Minor | 1 | 4A | 184 BPM | ||
| Egyptian Fantasy | Vincent Peirani, Emile Parisien | B Minor | 2 | 10A | 140 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Single Foot | Moondog | B♭ Minor | 3 | 3A | 157 BPM | ||
| The Ocean Floor | Jon Gibson, Oliver Mayo | A♭ Major | 1 | 4B | 79 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | E Major | 4 | 12B | 120 BPM | ||
| Song 3 | Jon Gibson | D Major | 0 | 10B | 69 BPM | ||
| Son of Parasol | Lubomyr Melnyk | E♭ Minor | 0 | 2A | 111 BPM | ||
| Cantilena | Erland von Koch, The Raschèr Saxophone Quartet | B♭ Minor | 0 | 3A | 67 BPM | ||
| Astragale | Gaspar Claus | G Minor | 1 | 6A | 160 BPM | ||
| Honeyed Words - String Quartet Version | Ligeti Quartet, Anna Meredith | G Major | 3 | 9B | 112 BPM | ||
| Pol | Jóhann Jóhannsson, Echo Collective | E Minor | 1 | 9A | 93 BPM | ||
| Antivalse | Chapelier Fou | D Minor | 2 | 7A | 120 BPM | ||
| XAS | Iannis Xenakis, The Raschèr Saxophone Quartet | E Major | 0 | 12B | 86 BPM | ||
| Finding Forever | Jon Gibson, Oliver Mayo | E♭ Major | 1 | 5B | 74 BPM | ||
| Gone Adrift | Jon Gibson, Oliver Mayo | A♭ Major | 3 | 4B | 101 BPM | ||
| Different Trains: America—Before the war | Steve Reich, Kronos Quartet | D♭ Major | 4 | 3B | 107 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | C Minor | 1 | 5A | 141 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Concerto for Saxophone - Quartet: Movevement I | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
| Butterflies | Balanescu Quartet | A♭ Minor | 2 | 1A | 75 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Symphony No. 13: Movement I | Canada’s National Arts Centre Orchestra, Alexander Shelley, Philip Glass | F Major | 2 | 7B | 127 BPM | ||
| Symphony No. 3 - Movement III | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Major | 1 | 7B | 105 BPM |