"Sing My Soul, His Wondrous Love" by Ned Rorem, St Martin's Voices, Andrew Earis had its release date on March 28, 2025. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Sing My Soul, His Wondrous Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sing My Soul, His Wondrous Love is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sing My Soul, His Wondrous Love by Ned Rorem, St Martin's Voices, Andrew Earis having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Bartók: 14 Bagatelles, Op. 6, Sz. 38: No. 3, Andante | Béla Bartók, Piotr Anderszewski | B Major | 0 | 1B | 76 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 2. Sempre espressivo ed assai Legato | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Fêtes galantes, L. 80: No. 1, En sourdine | Claude Debussy, Julie Roset, Susan Manoff | C Minor | 1 | 5A | 131 BPM | ||
| 10 Preludes, Op. 23: No. 6 in E-Flat Major. Andante | Sergei Rachmaninoff, Boris Giltburg | A♭ Major | 0 | 4B | 68 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | C Minor | 1 | 5A | 131 BPM | ||
| Other Earths and Skies: No. 2, A Song of Qiu-pu | Alec Roth, Hugo Hymas, Nicholas Daniel | E Minor | 2 | 9A | 100 BPM | ||
| III. Soprano | Michael Stephen Brown, Susanna Phillips, Paul Neubauer, Anne-Marie McDermott | C Minor | 1 | 5A | 131 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | C Minor | 1 | 5A | 131 BPM | ||
| Sonata for Violin and Cello, M. 73: I. Allegro | Maurice Ravel, Yeol Eum Son, Damin Kim, Woongwhee Moon | C Minor | 1 | 5A | 131 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | E Major | 1 | 12B | 83 BPM | ||
| Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
| Bartók: Hungarian Folk Songs, Sz. 64: No. 5, Ha kimegyek arr' a magos tetőre | Béla Bartók, Maria Basilides | C Minor | 1 | 5A | 131 BPM | ||
| 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | ||
| I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 83 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| Symphony No. 1, GMW 11: IVb. Sehr gesangvoll | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | E Major | 1 | 12B | 83 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM |