Shafat Amini, Azra Jehan's ' "Mathey Da Tikka" was released on its scheduled release date, January 1, 2005. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Kamal-e-Fann" album is number 1 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mathey Da Tikka is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mathey Da Tikka by Shafat Amini, Azra Jehan to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Biya Yar Jan | Haider Salim, Samir Roshan | F Minor | 6 | 4A | 128 BPM | ||
| Kuch Main Kahoon | Mohammed Aziz | A♭ Major | 8 | 4B | 163 BPM | ||
| Kripa Kar De Maa Kripa Kar De Maa | Narendra Chanchal | D♭ Major | 7 | 3B | 85 BPM | ||
| Jai Jai Ho Maa | Mandeep Bhajan | F Minor | 6 | 4A | 70 BPM | ||
| Jehda Paani Utte Pathran Nu Tarda | Miri Piri Khalsa Jagadhri Wale | A♭ Major | 6 | 4B | 78 BPM | ||
| Ho Sake To Mera | Arshad Mehmood | F♯ Minor | 7 | 11A | 81 BPM | ||
| Aaja O Yaara | Preeti Uttam, Sukhwinder Singh, Babbu Maan | D♭ Minor | 6 | 12A | 95 BPM | ||
| Lazzat E Ghum Barha Dijiye | Munni Begum | A♭ Major | 5 | 4B | 100 BPM | ||
| Ye To Bata To Barsane Wali | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 142 BPM | ||
| Chodh Ke Na Jaana Mere Yaar | Arshad Kamli | A♭ Minor | 9 | 1A | 120 BPM | ||
| Gajra Tony Kaise Lagaile | Satish Das | D♭ Major | 6 | 3B | 115 BPM | ||
| Mere Dil Pe Likh Diya Naam | Bhaal Singh | G Major | 6 | 9B | 144 BPM | ||
| Ghanshyam Teri Bansi | Prem Mehra | B♭ Minor | 9 | 3A | 138 BPM | ||
| Hanuman Tumhara Kya Kehna | Lakhbir Singh Lakkha | B♭ Major | 6 | 6B | 113 BPM | ||
| Chhoti Kutiya Ka Chhotasa Dwar | SUSHIL KHANDEKAR | A♭ Major | 8 | 4B | 157 BPM | ||
| Chhath Ke Parbiya Karab Saiya | Pawan Singh | B♭ Minor | 7 | 3A | 106 BPM | ||
| Thumka Lagake Naacho | Sonu Nigam, Vinod Rathod, Sanjivani | C Minor | 4 | 5A | 113 BPM | ||
| Poramma | Eelam Music | E♭ Major | 2 | 5B | 80 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | A♭ Major | 6 | 4B | 116 BPM | ||
| Balam Gaile Jhariya | Madan Rai | F♯ Minor | 8 | 11A | 107 BPM | ||
| Srivaru Doragaru | S. P. Balasubrahmanyam, K. S. Chithra | C Major | 4 | 8B | 57 BPM | ||
| Veriya Ve Kiya Kya Qasoor Maine - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | A♭ Major | 9 | 4B | 81 BPM | ||
| Dakhancha Raja Jyotiba Maza | Vijay Sartape | C Major | 8 | 8B | 83 BPM | ||
| Mane Satguru Milwa Ro Lago kod Umed Geri Laag Rahi | Bhagwat Suthar | E♭ Minor | 8 | 2A | 153 BPM | ||
| Jhoot Nahin Bolna | Himesh Reshammiya, Shreya Ghoshal | A♭ Major | 9 | 4B | 98 BPM |