Geeta Rabari's ' "Aavi Aasho Sud Ajvadi Raat Ambe Maa Garbe Rame Che" was released on its scheduled release date, September 16, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Taal 2.0". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Based on our statistics, Aavi Aasho Sud Ajvadi Raat Ambe Maa Garbe Rame Che's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Aavi Aasho Sud Ajvadi Raat Ambe Maa Garbe Rame Che by Geeta Rabari having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dwarkadhis Na Vagha | Saraswati Kapadiya | E Minor | 8 | 9A | 150 BPM | ||
| Ramo Ramo - From "Huladiyo" | Jaysinh Gadhavi | D♭ Major | 9 | 3B | 90 BPM | ||
| Radika Rase Ramvane Vahli | Jignesh Kaviraj, Tejal Thakor | G Major | 10 | 9B | 110 BPM | ||
| Kana Mane Dwarika Dekhad | Kairavi Buch, Bhavin Bhanushali | E Major | 6 | 12B | 142 BPM | ||
| Jhulan Morli - From "Huladiyo" | Jaysinh Gadhavi | D♭ Major | 9 | 3B | 170 BPM | ||
| ZULAN MORLI VAAGI RE | Umesh Barot | A♭ Major | 8 | 4B | 98 BPM | ||
| Dwarka Na Devni To Vat J No Thay | Rajbha Gadhvi Gir | F♯ Major | 9 | 2B | 97 BPM | ||
| DDG Gajiyo, Shakti path | Chintan Trivedi, Aditya Gadhvi | A♭ Major | 3 | 4B | 101 BPM | ||
| Radhe Radhe Govinda | Aishwarya Majmudar, Maulik Mehta | F Major | 10 | 7B | 145 BPM | ||
| Dhuni Re Dhakhavi Beli | Jigardan Gadhavi | F Major | 8 | 7B | 165 BPM | ||
| Jhanjariyu | Umesh Barot | F Minor | 8 | 4A | 106 BPM | ||
| Eklo Pan Ekdo - Rayfal 2 | Mahesh Vanzara | F♯ Major | 9 | 2B | 143 BPM | ||
| Vala Aa To Valap | આંખે ઉજાગરા | Pahal events | B♭ Minor | 7 | 3A | 145 BPM | ||
| Jag Jiti Jau Jo Tame Hoy Sathe - Original | Mahesh Vanzara | B♭ Major | 9 | 6B | 95 BPM | ||
| Mogal Chhedata Kado Naag | Kirtidan Ghadhavi | F♯ Minor | 9 | 11A | 71 BPM | ||
| Indhana Vinvaa Gayi Thi | Falguni Pathak | B Major | 6 | 1B | 180 BPM | ||
| Khajuri Neh Kevo Madhav Ne Game Aevo | Shailesh Vaghela | F♯ Major | 4 | 2B | 150 BPM | ||
| Kano Dwarika Vado | Rajesh Ahir | F Major | 5 | 7B | 138 BPM | ||
| Bheliyo | Ishani Dave | D♭ Major | 4 | 3B | 72 BPM | ||
| Kon Jani Sake Kaal Ne Re - Original | Jignesh Dada, NA | F Major | 8 | 7B | 110 BPM | ||
| Meldi Rame Mari Meldi Rame | Arvind Barot, Bhavna Rana | D♭ Minor | 8 | 12A | 132 BPM | ||
| Tame Mane Gamo Cho | Kajal Maheriya | F Minor | 9 | 4A | 112 BPM | ||
| Garbe Ramva Ne Vela Aavjo | Bhoomi Trivedi | F♯ Major | 8 | 2B | 145 BPM | ||
| Khamma Khamma Khodal | Kirtidan Ghadhavi | B Minor | 5 | 10A | 90 BPM | ||
| Kano Dwarika Vado 2.0 | Rajesh Ahir, Nandlal Chhanga | F Major | 4 | 7B | 138 BPM |