On December 1, 2017, the song "Nova Vida" was released by Wagner. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Teu Olhar". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Brazil. Nova Vida is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nova Vida by Wagner having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
| Leichte Kavallerie: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | A Major | 3 | 11B | 133 BPM | ||
| Eine Steppenskizze aus Mittelasien: Allegretto con moto | Alexander Borodin, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 139 BPM | ||
| William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
| Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VII. Final | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Major | 0 | 11B | 90 BPM | ||
| Um Mundo Melhor | Wagner | G Major | 5 | 9B | 126 BPM | ||
| Symphony No. 3: II. Allegro molto | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Minor | 1 | 6A | 65 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Travelers Countdown | Wagner | G Major | 6 | 9B | 76 BPM | ||
| Cello Concerto in E minor, Op. 85: 1. Adagio - Moderato - Live | Edward Elgar, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | E Minor | 1 | 9A | 103 BPM | ||
| Carmen Suite No. 2: II. Habanera (Act I) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 127 BPM | ||
| Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 65 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| Pictures at an Exhibition: X. The Great Gate of Kiev | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 118 BPM | ||
| Carmen Suite No. 2: VI. Danse Boheme | Georges Bizet, Slovak Philharmonic, Anthony Bramall | C Major | 1 | 8B | 108 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| VII. Death of Tybalt | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM | ||
| Verdi: Messa da Requiem: I. Requiem æternam | Giuseppe Verdi, Claudio Abbado, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | A Minor | 0 | 8A | 132 BPM | ||
| The Stars | Wagner | B♭ Minor | 0 | 3A | 139 BPM | ||
| Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 2 | 4B | 131 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM |