"Symphonic Miniatures, Op. 54: Präludium - Live" by Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko had its release date on March 15, 2022. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Helmut Rogl, Various Artists's "Helmut Rogl: Orchestral Works" album is number 2 out of 14. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Symphonic Miniatures, Op. 54: Präludium - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Miniatures, Op. 54: Präludium - Live by Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | D♭ Minor | 0 | 12A | 95 BPM | ||
| Across the Stars (Love Theme) - From "Star Wars: Attack Of The Clones" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 88 BPM | ||
| The Pearl Fishers, WD 13: Je crois entendre encore (Arranged for Violin & Orchestra by Joshua Bell) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
| String Quartet in G Minor, Op. 27: II. Romanze. Andantino - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | B♭ Major | 1 | 6B | 98 BPM | ||
| Symphony I, Op. 66: Andantino Con Anima | Helmut Rogl, Orchester der Anton Bruckner Privatuniversität, Manfred Mayrhofer | G Major | 1 | 9B | 139 BPM | ||
| Bachianas brasileiras No. 7: IV. Fuga. Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 80 BPM | ||
| In the Hall of the Mountain King (From "Peer Gynt", Op. 23) | Edvard Grieg, Gautier Capuçon, Anouchka Hack, Aurélien Pascal, Caroline Sypniewski, Charles Hervet, Jeein You, Julia Hagen | A♭ Minor | 2 | 1A | 113 BPM | ||
| Feather Fletching | Joe Hisaishi | B Minor | 1 | 10A | 172 BPM | ||
| Souls Don't Die | Michael Kamen | C Minor | 1 | 5A | 77 BPM | ||
| Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
| The Fall - The Wedding | Krishna Levy | E Minor | 2 | 9A | 110 BPM | ||
| Dragonhunter | Richard Meyer, DeMatha Catholic High School Concert Strings I, DeMatha Catholic High School Concert Strings, Carlos A. Castrillon | E Minor | 0 | 9A | 119 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Violin Concerto: III. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | D Minor | 2 | 7A | 74 BPM | ||
| Cello Concerto, Op. 24, "Violonchallenges": III. Vivace | Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler | A Major | 2 | 11B | 140 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
| El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
| String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Quatuor Ysaÿe | C Major | 0 | 8B | 79 BPM | ||
| Ravel: Miroirs, M. 43: IV. Alborada del gracioso | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
| Melandru's Calm | Jeremy Soule | D♭ Minor | 0 | 12A | 95 BPM | ||
| Symphony for 8 | Cello Octet Amsterdam | F Major | 1 | 7B | 175 BPM | ||
| Cello Concerto, Op. 24, "Violonchallenges": II. Grave - Largo - Un Poco Animato - Giocoso - Allego - Presto - Corale: Tempo Primo | Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler | A Major | 2 | 11B | 140 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM |