On January 26, 2024, the song "Under the Sea (from "The Little Mermaid") - Cello-Piano Version" was released by Raphaela Gromes, Julian Riem. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Under the Sea (from "The Little Mermaid") - Cello-Piano Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in Animated Movie Classics by Raphaela Gromes, Julian Riem. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Under the Sea (from "The Little Mermaid") - Cello-Piano Version is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Under the Sea (from "The Little Mermaid") - Cello-Piano Version by Raphaela Gromes, Julian Riem is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Au fil du temps | Alain Lefèvre | C Minor | 1 | 5A | 63 BPM | ||
| Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem) | Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Gabriella Victoria, Julian Riem | E Minor | 2 | 9A | 100 BPM | ||
| Noktúrna | Gabríel Ólafs | C Major | 0 | 8B | 126 BPM | ||
| Pewter City | Sudowoododuo | E Major | 0 | 12B | 88 BPM | ||
| On Wings of Song, Op. 34 No. 2 | Felix Mendelssohn, Haruma Sato, 久末 航 | A Minor | 0 | 8A | 86 BPM | ||
| The Pacific Has No Memory | Eric Whitacre, Anne Akiko Meyers, Orpheus Chamber Orchestra | B Minor | 1 | 10A | 91 BPM | ||
| Étude No. 2: Breathless | Marie Awadis | G Major | 2 | 9B | 168 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Intermezzo. A Scene from the Past | Kian Soltani | E Minor | 1 | 9A | 93 BPM | ||
| Romance No. 1 | Florian Pichlbauer | D Major | 0 | 10B | 131 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. Casals for Violin and Piano) | Gabriel Fauré, Daniel Lozakovich, Hélène Mercier | F Minor | 1 | 4A | 83 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Una furtiva lagrima. Romance de "L'elisir d'amore" de Donizetti | Alexandre Batta, Gaetano Donizetti, Sol Gabetta, Irina Zahharenkova | D Major | 5 | 10B | 76 BPM | ||
| Ballad for Cello & Orchestra, Op.11 | Elisabeth Kuyper, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | C Major | 1 | 8B | 69 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
| Improvisation on "L'hymne à l'amour" by Monnot & Piaf | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Cello Concerto No. 3 in A Minor, Op. 31: III. Kadenz | Julius Klengel, Raphaela Gromes, Nicholas Carter, Rundfunk-Sinfonieorchester Berlin | C Major | 0 | 8B | 101 BPM | ||
| Handel: Keyboard Suite in G Minor, HWV 434: IV. Minuet (Arr. Kempff for Solo Piano) | George Frideric Handel, David Fray | D Minor | 1 | 7A | 66 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): III. Moderato - Allegro | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Echoes | Luke Faulkner, Emma Arizza, Martha Mitu, Caleb Sibley, Tom Huet | A♭ Major | 1 | 4B | 66 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68: No. 5, Silent Woods, B. 182 (Version for Cello and Orchestra) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |