"Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra had its release date on April 26, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] by Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in D Minor, RV 63 "La Folia" (Perf. on Sheng, Viola & Double Bass) | Antonio Vivaldi, Wu Wei, Martin Stegner, Janne Saksala | C Major | 1 | 8B | 131 BPM | ||
| Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 2 | 7B | 97 BPM | ||
| Concerto in A Minor Variation (After Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | F Major | 2 | 7B | 97 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Home: Dangerously fast | Kevin Puts, Miró Quartet | C Major | 1 | 8B | 97 BPM | ||
| Emily — No Prisoner Be: No. 24, ‘Tis true - They shut me in the Cold | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 2 | 7B | 97 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) | Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | F Major | 2 | 7B | 97 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
| Within Her Arms | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Reflection No. 1 (Paix - Shanti) | Camille Thomas, Julien Brocal | D Minor | 2 | 7A | 155 BPM | ||
| Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
| Ever Yours: III. You Reap What You Sow | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | A Major | 3 | 11B | 126 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 2 | 7B | 97 BPM | ||
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Dixit Dominus, HWV 232: VIII. De torrente in via bibet | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Fac Me Cruce | Andreas Scholl, Marco Rosano | B Minor | 0 | 10A | 90 BPM | ||
| Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Anna Lucia Richter, Gürzenich Orchester Köln, Jordan de Souza | G Major | 1 | 9B | 65 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | F Major | 2 | 7B | 97 BPM | ||
| Vespro della Beata Vergine, SV 206: Gloria Patri | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Emiliano Gonzalez Toro, Zachary Wilder | G Minor | 3 | 6A | 66 BPM | ||
| Minimalist Rag | Kevin Putz, Kevin Puts, Tony Caramia | F Minor | 1 | 4A | 108 BPM |