"White Christmas" by George Shearing Quintet had its release date on September 1, 1998. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. White Christmas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Christmas With The George Shearing Quintet by George Shearing Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, White Christmas is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of White Christmas by George Shearing Quintet is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Do It | Eartha Kitt | A♭ Major | 1 | 4B | 97 BPM | ||
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| In The Still Of The Night | Oscar Peterson | C Major | 1 | 8B | 167 BPM | ||
| We'll Be Together Again | Anita O'Day, Oscar Peterson Quartet | G Major | 1 | 9B | 117 BPM | ||
| Misty | Ray Bryant | D Major | 1 | 10B | 97 BPM | ||
| Peace | Horace Silver | E♭ Minor | 2 | 2A | 93 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Loose Walk | The Three Sounds | F Minor | 5 | 4A | 95 BPM | ||
| Let's Call The Whole Thing Off | George Shearing Quintet | C Minor | 6 | 5A | 172 BPM | ||
| I Hear A Rhapsody | George Shearing Quintet | D♭ Major | 1 | 3B | 99 BPM | ||
| I've Grown Accustomed To His Face | Lorez Alexandria | B♭ Major | 1 | 6B | 105 BPM | ||
| The Nearness Of You | Dorothy Dandridge | G Major | 1 | 9B | 88 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| Walkin' Shoes | Gerry Mulligan Quartet | D Major | 3 | 10B | 137 BPM | ||
| All Night Long | George Shearing Quintet, Nancy Wilson | F♯ Minor | 0 | 11A | 66 BPM | ||
| Ill Wind (You're Blowin' Me No Good) | The Ben Webster Quintet | F Minor | 0 | 4A | 123 BPM | ||
| Blue Monk | McCoy Tyner | F Major | 2 | 7B | 120 BPM | ||
| Stella By Starlight | Anita O'Day, Oscar Peterson Quartet | D Major | 1 | 10B | 75 BPM | ||
| Darn That Dream | Cyrus Chestnut | G Major | 1 | 9B | 148 BPM | ||
| I Could Write a Book | Betty Carter, Ray Bryant | G Major | 2 | 9B | 113 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| A Sunday Kind Of You | Dinah Washington & Orchestra | C Minor | 2 | 5A | 69 BPM | ||
| Light Blue | Ron Carter | C Major | 1 | 8B | 114 BPM | ||
| Love For Sale | Shirley Horn | F Minor | 1 | 4A | 75 BPM | ||
| Yesterdays | George Shearing Quintet | F Minor | 3 | 4A | 124 BPM |