Reginald Dixon's 'Bells Across The Meadow' had a release date set for January 1, 2000. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Rhapsody In Blue". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Bells Across The Meadow is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bells Across The Meadow by Reginald Dixon having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Heart Cries for You / On Top of Old Smoky / Mockin' Bird Hill | Charlie Kunz | C Major | 2 | 8B | 98 BPM | ||
| Canta ao Pai | Cordas Divinas | G Major | 1 | 9B | 115 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| En el Yate | Mauricio Redondos | A Minor | 3 | 8A | 105 BPM | ||
| Memories Of You | Jackie Gleason | G Minor | 2 | 6A | 145 BPM | ||
| Songe d'Automne | Traditional, Palm Court Theatre Orchestra, Anthony Godwin | C Minor | 1 | 5A | 98 BPM | ||
| The River Kwai March | The London Pops Orchestra, Conducted by Nelson Corbin | C Major | 6 | 8B | 109 BPM | ||
| Melody of Spain | Hugo Winterhalter | F Major | 5 | 7B | 124 BPM | ||
| Freiheits-Marsch Op. 226 | Johann Strauss I, Jack Rothstein, Viennese Orchestra of London | D Major | 5 | 10B | 100 BPM | ||
| Glamor Waltz | Valeriy Antonyuk | E♭ Major | 4 | 5B | 90 BPM | ||
| The Sweetheart Tree | Sounds Orchestral | F Major | 3 | 7B | 84 BPM | ||
| The Cocktail Party | Original Soundtrack | E♭ Major | 3 | 5B | 188 BPM | ||
| 栄光への脱出 「栄光への脱出」より | Royal Pops Orchestra | B♭ Major | 3 | 6B | 100 BPM | ||
| Blue Danube-Slow Viennese Waltz | Lester Lanin | D Major | 2 | 10B | 161 BPM | ||
| Thunder and Lightning Polka | Reginald Dixon | G Major | 2 | 9B | 131 BPM | ||
| Peace I Give to Thee | Cordas Divinas | G Major | 2 | 9B | 94 BPM | ||
| Echoes | Aurora Crescendo | G Major | 4 | 9B | 122 BPM | ||
| Nice Quiet Saloon | Billy May | G Minor | 3 | 6A | 168 BPM | ||
| Shopper's World | William Loose | G Major | 4 | 9B | 110 BPM | ||
| Sterrendans | De Lumineuze Nachten | B♭ Major | 2 | 6B | 125 BPM | ||
| Forgotten Dreams | Eddie Calvert | F♯ Major | 3 | 2B | 81 BPM | ||
| Auf dem Dach der Welt - Schlaf mein Liebling | Claudius Alzner, Seine Solisten | A Minor | 4 | 8A | 185 BPM | ||
| The Call Of the Faraway Hills | Victor Young (conductor), MGM Studio Orchestra | D Major | 3 | 10B | 89 BPM |