"Homages: V. Song Without Words" by Cheryl Frances-Hoad, Ivana Gavrić had its release date on June 30, 2017. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #17. Homages: V. Song Without Words is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Homages: V. Song Without Words by Cheryl Frances-Hoad, Ivana Gavrić having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | ||
| Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Cello Concerto ‘Earth, Sea, Air’: II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 85 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| Homages: II. In the Dew | Cheryl Frances-Hoad, Ivana Gavrić | A Minor | 0 | 8A | 92 BPM | ||
| Acht geistliche Gesänge, Op. 138: No. 1, Der Mensch lebt und besteht nur eine kleine Zeit | Max Reger, Calmus Ensemble | A Minor | 1 | 8A | 85 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
| Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| Night Song | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Minor | 1 | 8A | 115 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
| They bore him bare-faced on the bier (arr. for lute by Jonas Nordberg) | Cheryl Frances-Hoad, Ruby Hughes, Jonas Nordberg | A♭ Major | 0 | 4B | 71 BPM |