On December 26, 2000, the song "Chhor Ke Aav Kalkata" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Choosla Pa Meeth Lagela by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chhor Ke Aav Kalkata's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chhor Ke Aav Kalkata by Tara Rani is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghareeb Hui Zaror Par Ajeeb Chokri Hui | Rajab Faqeer | A♭ Major | 8 | 4B | 164 BPM | ||
| Teri Gaddi Me Na Jana Hai | Kartar Ramla, Paramjit Sandhu | B♭ Major | 5 | 6B | 119 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Mahi Sawan Aarayi | Talib Hussain Dard | A♭ Minor | 9 | 1A | 95 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Mere Jaisa Ladaka Dekha | Jaysingh raja, Doli Rajpoot | F♯ Major | 5 | 2B | 176 BPM | ||
| Dhokhebaaz Rajau | Karina Pandey | E♭ Minor | 7 | 2A | 153 BPM | ||
| Dhol Tasha Vajato | Shivaji Tupvihare | E♭ Minor | 5 | 2A | 127 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Tutak Tutak Tutian (Hey Jamalo) | Malkit Singh | D Major | 6 | 10B | 115 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Chal Jiven Tu Chalda | Jyoti Gill | F Major | 8 | 7B | 125 BPM | ||
| Meldi Maa Na Halariya Part.2 | JK Timba, Kaushik Bharwad | C Major | 7 | 8B | 82 BPM | ||
| Buri Hoilam Tor Karone | Momtaz | A Minor | 8 | 8A | 164 BPM | ||
| Jagh Wala Mela | Heera Group, Kuljit Bhamra | D♭ Minor | 8 | 12A | 95 BPM | ||
| Chimni Mazi Udun Geli | Akash Shinde | D♭ Major | 7 | 3B | 122 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Sadi Vote Na Rahi | Davinder Kohinoor | A♭ Minor | 4 | 1A | 140 BPM | ||
| Lusku Lusa Gali Re | Umakanta Barik, RABI RATNA BAG | B♭ Minor | 10 | 3A | 87 BPM | ||
| Aa Re Kalia | Sonu Nigam | F♯ Major | 6 | 2B | 120 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Mere Malka | Baba Gulab Singh Ji | B♭ Major | 4 | 6B | 135 BPM | ||
| Govardhan Mein Radhe Radhe | Lakhbir Singh Lakkha, Tripti Shakya, Chand Kumar, Amrish Mishra, Shalini Shrivastav | B Minor | 7 | 10A | 170 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Ashik Ranghe Hir Pir | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 6 | 7B | 126 BPM |