- BPM
- 133
- Key
- D♭ Major
- Camelot
- 3B
Someone To Watch Over Me by George Gershwin, Mike Boddé Song Details
"Someone To Watch Over Me" by George Gershwin, Mike Boddé had its release date on March 9, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Quirky Works". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Someone To Watch Over Me's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Someone To Watch Over Me by George Gershwin, Mike Boddé having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -25.14 dB
- Acousticness
- 99%
- Danceability
- 56%
- Energy
- 1%
- Instrumentalness
- 94%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 8%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | B Minor | 1 | 10A | 71 BPM | |
 | Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano) | Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | |
 | Sarasate: Carmen Fantasy, Op. 25 | Pablo de Sarasate, Itzhak Perlman, Lawrence Foster, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | |
 | Eight Concert Etudes, Op. 40: VII. Intermezzo: Allegretto | Nikolai Kapustin, Yeol Eum Son | E♭ Minor | 2 | 2A | 108 BPM | |
 | Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | |
 | Promenade: Allegretto moderato | George Gershwin, Frank Braley | D Minor | 0 | 7A | 64 BPM | |
 | Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | Rodeo: III. Ranch House Party | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | B♭ Major | 3 | 6B | 156 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Martin James Bartlett, Joshua Weilerstein, London Philharmonic Orchestra | E♭ Minor | 2 | 2A | 70 BPM | |
 | Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | |
 | Hungarian Dance No. 1 in G Minor, WoO 1/1. Allegro molto (Orch. by Brahms) | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
| Song Book: Liza. Languidly | George Gershwin, Frank Braley | B♭ Minor | 0 | 3A | 99 BPM | |
 | Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | |
 | Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | |
 | Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | |
| Gershwin: Gershwin Songbook: No. 8, The Man I Love | George Gershwin, Martin James Bartlett | C Minor | 3 | 5A | 98 BPM | |
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM |
- ISRC
- NLD322200045
- Label
- L-M Records/RCA Records