RTE Concert Orchestra's 'Come Dance With Me in Ireland' had a release date set for 2003. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Spirit of Ireland". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Ireland. In terms of popularity, Come Dance With Me in Ireland is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come Dance With Me in Ireland by RTE Concert Orchestra having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fra Holbergs tid, Op. 40: II. Sarabande (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E♭ Major | 0 | 5B | 93 BPM | ||
| The Legend of the Glass Mountain (The Glass Mountain) | Nino Rota, Philip Fowke, RTE Concert Orchestra, Proinnsias O'Duinn | D Minor | 1 | 7A | 113 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 90 BPM | ||
| Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| Idir Eatarthu / Between Worlds | Micheal O Suilleabhain | G Major | 3 | 9B | 96 BPM | ||
| Top Dog Gaffo | Sharon Shannon, RTE Concert Orchestra, Jim Murray | B♭ Major | 5 | 6B | 168 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Always On My Mind | RTE Concert Orchestra | C Major | 3 | 8B | 80 BPM | ||
| Puffin' Billy | Edward White, RTE Concert Orchestra, Ernest Tomlinson | G Major | 1 | 9B | 115 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Handel: Harp Concerto in B flat, op.4 No.6 - i. Allegro moderato | George Frideric Handel, Cliona Doris, RTE Concert Orchestra, Robert Houlihan | B♭ Major | 3 | 6B | 128 BPM | ||
| Wild Mountainside | Eddi Reader | D Major | 2 | 10B | 179 BPM | ||
| 4 Characteristic Waltzes, Op. 22: No. 3 Valse de la Reine | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Major | 0 | 12B | 88 BPM | ||
| Wilde | Debbie Wiseman | F Major | 7 | 7B | 120 BPM | ||
| Fare Thee Well | Sharon Shannon, RTE Concert Orchestra, Jim Murray | E♭ Major | 3 | 5B | 78 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| The Land of Might-Have-Been | Jeremy Northam, Christopher Northam | E♭ Major | 1 | 5B | 77 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM | ||
| Woodbrook | Micheal O Suilleabhain | E Minor | 1 | 9A | 69 BPM | ||
| O RIADA: Mise Éire (Orchestral Suite), Luan Cásca 1816 (Roisín Dubh) | Seán Ó Riada, RTE Concert Orchestra, Robert Houlihan | G Major | 1 | 9B | 80 BPM | ||
| Henry V (adapted by Christopher Palmer): V(i). Harfleur | William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny | A Minor | 2 | 8A | 127 BPM | ||
| The Story Of A Flemish Farm Suite: Dawn In The Barn - The Parting Of The Lovers | RTE Concert Orchestra, Ralph Vaughan Williams | G Minor | 0 | 6A | 132 BPM |