"Abendlied" by Josef Rheinberger, Anna Lapwood, The Pembroke College Girls' Choir had its release date on December 5, 2024. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Abendlied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "The Waiting Sky". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Abendlied's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendlied by Josef Rheinberger, Anna Lapwood, The Pembroke College Girls' Choir having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem in D minor, Op. 194 (1900): Sanctus | Josef Rheinberger, Choir of Gonville & Caius College, Cambridge, Christopher Monks, Geoffrey Webber | D Major | 1 | 10B | 137 BPM | ||
| Noël nouvelet | Anonymous, Les Itinérantes | D Major | 2 | 10B | 84 BPM | ||
| Snow Angel: III. God Will Give Orders | Sarah Quartel, Ariose Women's Choir, Helen Stuart, Jolaine Kerley, Kathleen de Caen | G Minor | 1 | 6A | 84 BPM | ||
| Earth Song | Frank Ticheli, Messiah College Concert Choir, Linda L. Tedford | F Major | 0 | 7B | 127 BPM | ||
| Today | Lucy Walker, St Martin's Voices, Andrew Earis | F Major | 1 | 7B | 128 BPM | ||
| An Evening Hymn, Z. 193 - Reduction by Julian Perkins | Henry Purcell, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| Heaven and Earth | Stephen Edwards, The City of Prague Philharmonic Orchestra, Candace Wicke | A♭ Major | 2 | 4B | 84 BPM | ||
| Islandus: Streymir | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| 3 Geistliche Gesänge, Op. 69: II. Hymne | Josef Rheinberger, Vancouver Cantata Singers, James Fankhauser | D Major | 2 | 10B | 83 BPM | ||
| You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
| Prelude et fugue sur le nom d'Alain Op. 7: I. Prelude | Maurice Duruflé, Anna Lapwood | D Major | 0 | 10B | 175 BPM | ||
| Star Fantasy | Kristina Arakelyan, Anna Lapwood | D Major | 0 | 10B | 70 BPM | ||
| Hymnen, Op. 140: V. Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
| Introit in Shadow | Night Monastery | F♯ Minor | 0 | 11A | 88 BPM | ||
| The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Regnum mundi et omne ornatum, IJL 13 | Jean L'héritier, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 81 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) | Charles Gounod, Johann Sebastian Bach, Mari Samuelsen, Julien Quentin | C Major | 0 | 8B | 88 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
| The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM |