Cole Porter, John Williams, Boston Pops Orchestra's 'Begin the Beguine (From "Jubilee") [Arr. B. May for Orchestra] - Instrumental' had a release date set for May 4, 1993. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Unforgettable". In this album, this song's track order is #9. The popularity of Begin the Beguine (From "Jubilee") [Arr. B. May for Orchestra] - Instrumental is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Begin the Beguine (From "Jubilee") [Arr. B. May for Orchestra] - Instrumental by Cole Porter, John Williams, Boston Pops Orchestra having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Girl in Satin | Leory Anderson and His Orchestra | D Major | 2 | 10B | 112 BPM | ||
| Cantos para Sordos | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Soft Lights And Sweet Music; They Say It’s Wonderful | Irving Berlin, Frank De Vol And His Orchestra | C Minor | 3 | 5A | 108 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Harlem Boogie-Woogie | Jerome Kern, Robert Russell Bennett, London Sinfonietta, John McGlinn | F Minor | 6 | 4A | 171 BPM | ||
| Vaya Con Dios | Al Caiola | C Major | 2 | 8B | 81 BPM | ||
| Adagio de Aranjuez | Nello Salza | G Minor | 2 | 6A | 153 BPM | ||
| Main Title (From "The Comancheros") - From "The Comancheros" | Elmer Bernstein | F Major | 3 | 7B | 74 BPM | ||
| Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
| Swing, Swing, Swing | John Williams, Boston Pops Orchestra | B♭ Major | 5 | 6B | 114 BPM | ||
| Tales of the Vienna Woods | The Grand Floridian Society Orchestra | B♭ Major | 2 | 6B | 68 BPM | ||
| O Sole Mio | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Singin' In The Rain | Brown, Boston Pops Orchestra, John Williams | D♭ Major | 4 | 3B | 75 BPM | ||
| Why Can't You Behave | Cole Porter | E♭ Major | 1 | 5B | 55 BPM | ||
| The Merry Widow Waltz - Bright Viennese Waltz | Lester Lanin | G Major | 4 | 9B | 80 BPM | ||
| The Barn - Love Theme | Lucie Svehlová | F Major | 3 | 7B | 78 BPM | ||
| Serenata | Leory Anderson and His Orchestra | B♭ Minor | 4 | 3A | 142 BPM | ||
| ムーラン・ルージュの唄 | マントヴァーニ | G Major | 2 | 9B | 68 BPM | ||
| Roses of Picardy | Victor Silvester and His Ballroom Orchestra | D Minor | 5 | 7A | 117 BPM | ||
| Buttons and Bows | Arthur Fiedler, Boston Pops Orchestra | G Major | 4 | 9B | 93 BPM | ||
| Gilda Waltz | Piero Piccioni | A♭ Minor | 9 | 1A | 130 BPM | ||
| Christine In Hotel Corridor | Original Soundtrack | A Major | 1 | 11B | 168 BPM | ||
| Firebird Suite: Finale | Igor Stravinsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 129 BPM | ||
| Beyond the Last Word | Walko | B♭ Major | 3 | 6B | 143 BPM |