Ruggero Leoncavallo, KIM HOJOONG's 'Mattinata' had a release date set for December 11, 2020. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Mattinata's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Classic Album". In this album, this song's track order is #10. Furthermore, we believe that the track originated from South Korea. Based on our statistics, Mattinata's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mattinata by Ruggero Leoncavallo, KIM HOJOONG having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
| 살아야 해 | Euntae Park, BEN-HUR Ensemble | E Minor | 7 | 9A | 90 BPM | ||
| Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
| Mein Herr Marquis | Elin Manahan Thomas | G Major | 2 | 9B | 100 BPM | ||
| Pace, Pace, Mio Dio | Sinclair Simons & The Silent Future | C Minor | 1 | 5A | 99 BPM | ||
| Sehn wir uns wohl einmal wieder | Jay Alexander, Czech Symphony Orchestra, Adrian Werum | D♭ Major | 2 | 3B | 72 BPM | ||
| Come Sinfonia - 1995 Remastered | Giuseppe Di Stefano | B Major | 3 | 1B | 109 BPM | ||
| Every single day | Zo Hyung Gyun, Na ha na, Im Jun Hyuk | B Major | 3 | 1B | 85 BPM | ||
| Pagliacci / Act I: "Nedda! Silvio, a quest'ora" | Ruggero Leoncavallo, Joan Carlyle, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | B♭ Major | 2 | 6B | 111 BPM | ||
| Il coraggio delle idee | JIN WON, Kim Jihoon, JUNG SEUNG WON | F Major | 5 | 7B | 138 BPM | ||
| Core ‘ngrato | Riccardo Cordiferro, Roberto Alagna, London Orchestra, Yvan Cassar | E♭ Major | 3 | 5B | 74 BPM | ||
| Villa-Lobos: Melodia sentimental | Heitor Villa-Lobos, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Mattinata | Ruggero Leoncavallo, KIM HOJOONG | E♭ Major | 3 | 5B | 150 BPM | ||
| WITHIN ME | Minsung Park | D♭ Major | 4 | 3B | 104 BPM | ||
| This Is the Moment | Frank Wildhorn, Kim Ho Joong | E♭ Major | 3 | 5B | 115 BPM | ||
| Cuando Tú No Estás | Manuel Alvarez Beidgbeder, Manuel Gordillo Ladron Guevara, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Sad Silhouette | KIM HOJOONG | D Major | 5 | 10B | 108 BPM | ||
| Un Amore Cosi Grande | Guido Maria Ferilli, KIM HOJOONG | D Major | 4 | 10B | 89 BPM | ||
| Leaving Bark | Joung Tae Choon, Park Eun Ohk | E♭ Major | 3 | 5B | 144 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
| Ave Maria - J.S. Bach e C. Gounod | Beniamino Gigli | D♭ Major | 3 | 3B | 70 BPM | ||
| Marcia Del Ritorno – Trionfo Dell’Ombra | Sinclair Simons & The Silent Future | C Minor | 1 | 5A | 99 BPM | ||
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Minor | 1 | 5A | 99 BPM |