Rajkot Gurukul's ' "Hari Krishna Haiya Na Har" was released on its scheduled release date, February 25, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkot Gurukul's "Ghanshyam Vandana" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. Hari Krishna Haiya Na Har is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hari Krishna Haiya Na Har by Rajkot Gurukul to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Vitthal Vitthal Vitthala Hari Om Vithala | Sanjay Suthar, Harita Shah | F Minor | 9 | 4A | 110 BPM | ||
| Navkar Mantra Dhun | Bhavik Haria | E♭ Minor | 5 | 2A | 95 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Chalne Chhodi Kesudi | Kamlesh Barot | G Major | 10 | 9B | 108 BPM | ||
| Apka pyar Baba yun hi barasata rahe | Brahma Kumaris | C Major | 4 | 8B | 126 BPM | ||
| Ujjain Ke Mahakal | Pooja Golhani | E♭ Minor | 8 | 2A | 79 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM | ||
| Aarti Kunj Behari Ki | Manish Tiwari | A♭ Major | 7 | 4B | 133 BPM | ||
| Shreeji Maharaj Magu | Anoopam Mission, Mihir Patel | F Minor | 2 | 4A | 112 BPM | ||
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Gopi Nath Avo Ne Mare Orade | Swami Shree Chhapaiyaprakashdasji | B♭ Minor | 6 | 3A | 108 BPM | ||
| Charno mein jaga mangi thi | Brahma Kumaris | F♯ Major | 4 | 2B | 110 BPM | ||
| Mara Nena Tana Shanagar | Sadhu Krushanpriyadas | C Major | 5 | 8B | 51 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Raghuvar Tumko Meri Laaj | Satya Adhikar | E Major | 4 | 12B | 176 BPM | ||
| Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM | ||
| Aarti Jai Jambheshwar Ki | Sant Rajuram Ji | D♭ Major | 7 | 3B | 90 BPM | ||
| Tu To Phasi Kaal Ke Jaal | Radha Swami Satsang Dinod | D♭ Major | 3 | 3B | 149 BPM | ||
| Shu Bethi Maa Pag Upar Pag | Kanu Patel | B♭ Minor | 4 | 3A | 114 BPM | ||
| Rama Rama Ratte Ratte - Ram Bhajan | Ritesh Mishra | F Major | 7 | 7B | 105 BPM | ||
| Baba Ki Dhumdham Shirdi | Sanjayraj, Pramod Medhi | G Minor | 6 | 6A | 118 BPM | ||
| Krishan Janam Sohar | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM |