"Seven Imperatives (2001): VII. Quit" by Rolf Wallin, Håkon Austbø had its release date on October 12, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Norwegian Imperatives". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Norway. Based on our statistics, Seven Imperatives (2001): VII. Quit's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Imperatives (2001): VII. Quit by Rolf Wallin, Håkon Austbø having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Journey To Still Water Pond | Peter Scott Lewis | D Major | 1 | 10B | 77 BPM | ||
| Variationen zur Gesundung von Arinuschka: Var. 1, Moderato | Arvo Pärt, Alessandro Simonetto | D Minor | 0 | 7A | 85 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Major | 0 | 3B | 109 BPM | ||
| Tabby Suite: Nocturne | Josh Taylor | D♭ Major | 0 | 3B | 109 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Étude No. 13 "The Devil's Staircase" | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
| Bene Feast | Estoria | D♭ Major | 0 | 3B | 109 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D♭ Major | 0 | 3B | 109 BPM | ||
| Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | ||
| Játékok / 2.: 34. Antifona fiszben | György Kurtág | D♭ Minor | 0 | 12A | 136 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Stravinsky: Concerto in E-Flat Major "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 3 | 6B | 96 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | D♭ Major | 0 | 3B | 109 BPM | ||
| Room | nnnoah | A Minor | 0 | 8A | 130 BPM | ||
| String Quartet no.2, op.10: 1. Allegro | Zoltán Kodály, Hagen Quartett | D Minor | 1 | 7A | 79 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Vidimus Stellam: IV. Surge Illuminare | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 85 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D♭ Major | 0 | 3B | 109 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| Andante for Clarinet and Piano in E-flat Major | Othmar Schoeck, Anastasia Schmidlin, Denis Zhdanov | E♭ Major | 0 | 5B | 172 BPM |