"Quatrain: Section 3" by Colin Matthews, London Symphony Orchestra, Michael Tilson Thomas had its release date on July 1, 2015. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Quatrain: Section 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 42 in Colin Matthews: Orchestral Works by Colin Matthews, Various Artists, John Carewe, Michael Tilson Thomas. Quatrain: Section 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatrain: Section 3 by Colin Matthews, London Symphony Orchestra, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Clarinet Concerto in C Minor, Op. 31: II. Adagio, ma senza rigore | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 0 | 2B | 52 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Chorus, BBC Symphony Orchestra | E Major | 0 | 12B | 95 BPM | ||
| Horn Concerto in B flat, Op. 91: 3. Moderato | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 156 BPM | ||
| Les biches Suite, FP 36b: II. Adagietto | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 112 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 118 BPM | ||
| Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
| The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
| Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 69 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM | ||
| Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 69 BPM | ||
| The Winter's Tale, Act I Scene 1: Leontes Confronts Polixenes | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | D♭ Minor | 3 | 12A | 144 BPM | ||
| Symphony No. 2: V. Allegro molto vivace - Live | Charles Ives, New York Philharmonic, Leonard Bernstein | F Major | 2 | 7B | 136 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | G Major | 0 | 9B | 66 BPM |