On January 1, 2006, the song "Supheb la (Come, Everyone)" was released by Traditional, Techung. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Techung: Songs From Tibet". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Supheb la (Come, Everyone)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Supheb la (Come, Everyone) by Traditional, Techung having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song 9 - Arr. for Vocal Ensemble by Patrick Dunachie | Orlando Gibbons, The King's Singers | E♭ Minor | 1 | 2A | 86 BPM | ||
| Na Boże narodzenie | Traditional, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Béthléem | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Major | 0 | 8B | 79 BPM | ||
| Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
| Let All Mortal Flesh Keep Silence | Benedictines of Mary, Queen of Apostles | D Minor | 1 | 7A | 129 BPM | ||
| Gabriel's Message - Full Version | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | D Minor | 1 | 7A | 96 BPM | ||
| Rosite Nebesa Odozgor | Oratorijski zbor crkve sv. Marka Cantores sancti Marci | C Major | 1 | 8B | 130 BPM | ||
| Today the Virgin Gives Birth: Matins, Kontakion | Choir of the Monks of Chevetogne | B♭ Major | 2 | 6B | 203 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Frosted Echoes of Windermere | Ekofola | G Major | 4 | 9B | 142 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Les Chansons Des Roses: IV. La Rose Complète | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 135 BPM | ||
| Ave Maria C | Ryan Marvel, Heidi Mausbach | C Major | 1 | 8B | 122 BPM | ||
| 3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | B♭ Major | 0 | 6B | 162 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
| Sing Gently | Eric Whitacre, Adrian Kirtley, 2021 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Adoramus te, Christe, IGP 3 | Giovanni Pierluigi da Palestrina, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 95 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Missa pro defunctis: Introitus "Requiem aeternam" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Minor | 0 | 4A | 107 BPM | ||
| Ballad de Jésus Christ | Steve Eulberg | A Minor | 6 | 8A | 106 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Who Is Lord, Our God | Komitas, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | E Major | 1 | 12B | 68 BPM | ||
| Veni, Veni Emmanuel | Traditional, Grant Park Chorus, Christopher Bell | A Minor | 1 | 8A | 80 BPM |