On 2012, the song "The Farewell Party - St Louis Rag" was released by Charlie Mole. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 19 in Dorian Gray (Original Score Soundtrack) by Charlie Mole. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Farewell Party - St Louis Rag is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Farewell Party - St Louis Rag by Charlie Mole is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fool's Paradise: I | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Full Moon | Alexandre Desplat | A Minor | 2 | 8A | 88 BPM | ||
| Born to Darkness (From "Interview with a Vampire") | Soundtrack/Cast Album | C Major | 2 | 8B | 73 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| The Vampire Masquerade | Peter Gundry | D♭ Minor | 2 | 12A | 160 BPM | ||
| The French Library | Franz Bengtsson, Franz Gordon | E♭ Major | 0 | 5B | 70 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| Une autre valse | Pierre Adenot | A Minor | 0 | 8A | 129 BPM | ||
| Viens A Moi | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Other Possibilities (From "Chocolat" Soundtrack) | Rachel Portman | E♭ Major | 1 | 5B | 69 BPM | ||
| Nowhere | Kepa Lehtinen | B Minor | 1 | 10A | 118 BPM | ||
| Journeys | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| The Train | Charlie Mole | D Minor | 3 | 7A | 88 BPM | ||
| A Life Without Limitations | Amie Doherty | D♭ Major | 2 | 3B | 132 BPM | ||
| Of All Things | Johannes Bornlöf, David Celeste | C Minor | 2 | 5A | 73 BPM | ||
| All Hallow's Eve Ball | Alan Silvestri | D♭ Minor | 3 | 12A | 88 BPM | ||
| A Family Gathering | David Buckley | D Minor | 2 | 7A | 74 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| The Last Dance | Peter Gundry | B♭ Minor | 2 | 3A | 150 BPM | ||
| Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
| Love Waltz - Theme from "The Secret of Moonacre" | Mercuzio Pianist | C Minor | 1 | 5A | 167 BPM | ||
| The Orange Tree | Philip Glass | G Minor | 2 | 6A | 105 BPM | ||
| Dark Magic | Niklas Wagner, TMS Sports | F♯ Minor | 4 | 11A | 101 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM |