"Convien ch'ovunque sia" by Cipriano de Rore, Consort Of Musicke, Anthony Rooley had its release date on March 19, 2018. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 14 in Cipriano de Rore: Il quinto libro di Madrigali (1568) by Cipriano de Rore, Consort Of Musicke, Anthony Rooley. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Convien ch'ovunque sia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Convien ch'ovunque sia by Cipriano de Rore, Consort Of Musicke, Anthony Rooley is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Veni Sancte Spiritus | Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra | A♭ Major | 4 | 4B | 129 BPM | ||
| Merk auf mein Herz, BWV Anh. III 163: VI. Ach, mein herzliebes Jesulein | Johann Christoph Bach, Vox Luminis, Lionel Meunier | F Major | 0 | 7B | 78 BPM | ||
| Ludi Musici: Courant Dolorosa | Samuel Scheidt, Jordi Savall | A Major | 1 | 11B | 48 BPM | ||
| Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| 42 Chansons musicales a troys parties: No. 12, Amy, souffrés - Version from the "Très brève et familière Introduction" - No. 10 | Pierre Moulu, Hopkinson Smith, Sophie Klussmann | G Minor | 0 | 6A | 79 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Mazzocchi: Sospirate bellezze (Dal "Florido concento di madrigali") | Virgilio Mazzocchi, Tragicomedia | A♭ Minor | 0 | 1A | 105 BPM | ||
| Anchor che col Partire | Cipriano de Rore, Riccardo Rognoni, Palisander | A Minor | 0 | 8A | 125 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Lamento d'Arianna, SV 107: No. 1, Lasciatemi morire | Claudio Monteverdi, Rosso Porpora, Walter Testolin | A Minor | 1 | 8A | 169 BPM | ||
| Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): I. Afflicti pro peccatis nostris | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Alma Susanna | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | E♭ Major | 2 | 5B | 94 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
| Recercada Ottava sobre tenore La Gamba | Diego Ortiz, Manon Papasergio, Yoann Moulin | F Major | 1 | 7B | 125 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM |