"Danses musettes - Valse à léger / Java des bouddhas / Tango argenté / Valse du bonhomme d'à côté" by Pascal Contet, Joëlle Léandre had its release date on 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Pascal Contet & Joëlle Léandre". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Danses musettes - Valse à léger / Java des bouddhas / Tango argenté / Valse du bonhomme d'à côté's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Danses musettes - Valse à léger / Java des bouddhas / Tango argenté / Valse du bonhomme d'à côté by Pascal Contet, Joëlle Léandre having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Derwisch | Florian Dohrmann, David Orlowsky Trio | A♭ Major | 4 | 4B | 140 BPM | ||
| Grey Glance | Sam Vloemans, Gwen Cresens, Lara Rosseel, Dominique Vantomme | C Minor | 0 | 5A | 72 BPM | ||
| To Tango Ton Eraston - From "Glyko Pouli Tis Niotis" | Eleni Karaindrou | D Minor | 3 | 7A | 125 BPM | ||
| Valse Vanité | Rudy Wiedoeft, Jess Gillam, Zeynep Özsuca | A♭ Major | 2 | 4B | 86 BPM | ||
| Die grosse Sonate | Pascal Contet, Joëlle Léandre | D Major | 2 | 10B | 87 BPM | ||
| Catedral | Tangorra Orquesta Atípica | A Minor | 1 | 8A | 74 BPM | ||
| Meta-voices (Bonus Track) | Nomad Wizard, Accentus, Laurence Equilbey, Sonia Wieder-Atherton, Pascal Contet | C Major | 2 | 8B | 110 BPM | ||
| C face | Andy Emler, Pascal Contet | F Major | 0 | 7B | 42 BPM | ||
| Dreaming Soul (Second Movement from The Four Seasons in Janoska Style, Spring, Violin Concerto in E Major, Op. 8/1, RV 269) | Antonio Vivaldi, Janoska Ensemble | A♭ Minor | 2 | 1A | 172 BPM | ||
| Trio Sonata in D Minor, RV 63 "La Folia" (Perf. on Sheng, Viola & Double Bass) | Antonio Vivaldi, Wu Wei, Martin Stegner, Janne Saksala | C Major | 1 | 8B | 131 BPM | ||
| Spirit of the Forest | Hiroki Kashiwagi | A Minor | 2 | 8A | 110 BPM | ||
| Four Seasons of Buenos Aires: I. Primavera Porteña | Devich Trio | G Minor | 1 | 6A | 84 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | G Major | 5 | 9B | 95 BPM | ||
| Jalousie – Tango Tsigane | Jacob Gade, Con Sordino | D Major | 1 | 10B | 143 BPM | ||
| Resta: Bailecito | Daniel Barenboim | F Major | 2 | 7B | 165 BPM | ||
| Oblivion pour flûte alto, bandonéon, guitare et contrebasse | Cécile Daroux, Leonardo Sanchez, Juan José Mosalini Jr, Mauricio Angarita | C Minor | 0 | 5A | 89 BPM | ||
| Volver | Carlos Gardel, Paul Meyer, Pascal Contet | D Minor | 0 | 7A | 111 BPM | ||
| Praeludium and Allegro in the Style of Gaetano Pugnani (arr. Janoska Ensemble) | Janoska Ensemble | E Minor | 3 | 9A | 84 BPM | ||
| For Bernard C | Pascal Contet | F Major | 0 | 7B | 74 BPM | ||
| Piazzolla: Concierto para quinteto (Arr. Runge & Ammon for Piano Quintet) | Artemis Quartet, Jacques Ammon | G Minor | 2 | 6A | 76 BPM | ||
| Brel & Jouannest: Mathilde | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Histoire du Tango (History of the Tango) [arr. For violin and accordion] | Astor Piazzolla, Marianne Piketty, Pascal Contet | G Major | 4 | 9B | 160 BPM | ||
| Intimo Secreto | Alfonso Esparza Oteo, Sociedad Camerista de México | G Major | 1 | 9B | 86 BPM | ||
| Raphaël, Reviens, Act I: "Air de Gilles" | Bernard Cavanna, Noëmi Schindler, Christophe Roy, Pascal Contet, Thierry Grégoire, Vincent Billier, Laurent Bordeaux, Olivier Dumait, Patricia Gonzales, Samuel Gangneron | G Major | 1 | 9B | 171 BPM | ||
| Casa De Campo | DN1Ro, BIRD | A Minor | 1 | 8A | 74 BPM |