Max Reger, Bamberg Symphony, Horst Stein's 'Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 11. Var. X: Allegro appassionato' had a release date set for June 29, 2018. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 11. Var. X: Allegro appassionato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 21 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 11. Var. X: Allegro appassionato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variations And Fugue On A Theme by Johann Adam Hiller, Op. 100: 11. Var. X: Allegro appassionato by Max Reger, Bamberg Symphony, Horst Stein to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 9 Preludes, Op. 1: No. 7 in C Minor. Moderato | Karol Szymanowski, Krystian Zimerman | D♭ Major | 0 | 3B | 67 BPM | ||
| 12 Pieces, Op. 59: No. 11, Melodia in B-Flat Major | Max Reger, Josef Still | B♭ Major | 0 | 6B | 82 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
| Cypresses, B. 152: No. 9, Thou Only Dear One, but for Thee. Moderato | Antonín Dvořák, Panocha Quartet | G Minor | 1 | 6A | 90 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Valses oubliées, S. 215: No. 1 | Franz Liszt, Alessio Bax | D♭ Major | 0 | 3B | 69 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Clustered Sounds | Valen Rosset | D♭ Major | 2 | 3B | 79 BPM | ||
| Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | E♭ Major | 0 | 5B | 81 BPM | ||
| Lasst mich allein, Op. 82 No. 1, B. 157/1 (Orch. Leopold) | Antonín Dvořák, Mahler Chamber Orchestra, Daniel Harding | A Major | 2 | 11B | 130 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | D♭ Major | 2 | 3B | 79 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Chabrier: 10 Pièces pittoresques: No. 6, Idylle | Emmanuel Chabrier, Alexandre Tharaud | D♭ Minor | 1 | 12A | 129 BPM | ||
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Lobgesang. Symphony no. 2 op. 52: Allegretto un poco agitato | Felix Mendelssohn, Jan Willem de Vriend, Netherlands Symphony Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D♭ Major | 2 | 3B | 79 BPM |