"Also sprach Zarathustra, Op. 30: Das Tanzlied" by Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra had its release date on February 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Richard Strauss In High Fidelity". In this album, this song's track order is #8. Also sprach Zarathustra, Op. 30: Das Tanzlied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: Das Tanzlied by Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | A Major | 1 | 11B | 75 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| Symphony No. 1 in D Major "Titan" in D Major: II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | B♭ Major | 4 | 6B | 124 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 73 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | ||
| Die Liebe der Danae, Op. 83, TrV 278 (Excerpts): Wie umgibst du mich mit Frieden | Richard Strauss, Julia Varady, Bamberg Symphony, Dietrich Fischer-Dieskau | F Major | 2 | 7B | 86 BPM | ||
| Sinfonietta, JW VI/18: III. Moderato | Leoš Janáček, Czech Philharmonic, Karel Ančerl | A♭ Minor | 2 | 1A | 138 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner, Chicago Symphony Orchestra | C Minor | 1 | 5A | 147 BPM | ||
| Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM |