"Les ténebres de l'amour: II. Va, chanson à tire-d’aile" by Roderick Williams, Roger Vignoles had its release date on January 21, 2022. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Roderick Williams, Roger Vignoles's "Mirages: The Art of French Song" album is number 19 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Les ténebres de l'amour: II. Va, chanson à tire-d’aile is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les ténebres de l'amour: II. Va, chanson à tire-d’aile by Roderick Williams, Roger Vignoles to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | Johannes Brahms, Christiane Oelze, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 0 | 6B | 120 BPM | ||
| 3 Mélodies (1916) - orchestrated by Robert Carby: 1. Daphénéo | Erik Satie, Measha Brueggergosman, BBC Symphony Orchestra, David Robertson | F Minor | 0 | 4A | 133 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 2 | 8B | 68 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
| Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | ||
| 6 English Folk Songs: No. 6, King William | Roderick Williams, William Vann | G Major | 1 | 9B | 113 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| 6 English Folk Songs: No. 4, The Brewer | Roderick Williams, William Vann | D Major | 1 | 10B | 109 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Tom Bowling and Other Song Arrangements: No. 1, Tom Bowling | Benjamin Britten, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 172 BPM | ||
| Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
| Before and after Summer, Op. 16: Channel Firing | Gerald Finzi, Roderick Williams, Iain Burnside | F Minor | 1 | 4A | 81 BPM | ||
| Be Thou My Vision, Triptych for Orchestra | Nigel Hess, Roderick Williams, Shirley J. Thompson, Coronation Orchestra, Antonio Pappano | G Major | 1 | 9B | 104 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| War and Peace, Op. 91, Scene 2: When I was at Otradnoye in May (Prince Andrey, Natasha, Count Rostov) | Sergei Prokofiev, Richard Hickox, Spoleto Festival Orchestra, Roderick Williams, Ekaterina Morozova, Stephen Dupont | D♭ Minor | 3 | 12A | 107 BPM | ||
| Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 74 BPM | ||
| Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Before and after Summer, Op. 16: Childhood among the Ferns | Gerald Finzi, Roderick Williams, Iain Burnside | F Minor | 0 | 4A | 89 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: Solveig's Song. "Kanske vil der gå både Vinter og Vår" (Solveig) | Edvard Grieg, Elsa Dreisig, Massimo Zanetti, Orchestra del Teatro Carlo Felice di Genova | G Major | 1 | 9B | 113 BPM |