"Bear" by Stephen Spencer had its release date on January 9, 2025. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 20 in Dawnings by Stephen Spencer. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Bear is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bear by Stephen Spencer is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Onboarding | Harvey Causon | B♭ Minor | 6 | 3A | 138 BPM | ||
| I Saw You In A Dream | Benjamin Gustafsson | D Major | 1 | 10B | 72 BPM | ||
| Try For Love (VIII) | Hayes Bradley | C Minor | 2 | 5A | 56 BPM | ||
| Rhinestone | Samuel Organ | D Major | 1 | 10B | 59 BPM | ||
| The Impossible | Emile Mosseri | B♭ Minor | 1 | 3A | 133 BPM | ||
| Watermelon Well | Ben Seretan, John Thayer | B♭ Minor | 1 | 3A | 133 BPM | ||
| Log_20251029 | LOG by MIYAUCHI YURI, Miyauchi Yuri | B♭ Minor | 1 | 3A | 133 BPM | ||
| Smoked | Hayden Pedigo | F♯ Major | 1 | 2B | 81 BPM | ||
| Family Love Part 2 | kordz, Tamriko Kordzaia | B♭ Minor | 1 | 3A | 133 BPM | ||
| Gently And Deeply | TAKEO WATANABE | F♯ Major | 2 | 2B | 129 BPM | ||
| Marginalia #211 | Masakatsu Takagi | D Major | 3 | 10B | 170 BPM | ||
| Ruin | Jogging House | F Minor | 1 | 4A | 62 BPM | ||
| Mojave Flowers | Michael Scott Dawson, Michael Grigoni | D Major | 1 | 10B | 77 BPM | ||
| No Deeper | David Moore | B♭ Minor | 1 | 3A | 133 BPM | ||
| And There Were No More Lines to Draw | Ian Hawgood, David Cordero | D♭ Major | 1 | 3B | 93 BPM | ||
| The Girl In The Glass Brocade (I) | Mark Barrott | D Major | 0 | 10B | 131 BPM | ||
| Serene Hills 639 Hz | Pluva | B♭ Minor | 1 | 3A | 133 BPM | ||
| Cascades | Oliver Pines | D♭ Minor | 1 | 12A | 204 BPM | ||
| Bird | Stephen Spencer | A♭ Major | 1 | 4B | 79 BPM | ||
| Wandering | Jordan Ireland | B♭ Major | 0 | 6B | 64 BPM | ||
| Observe | Christopher Willits | F♯ Major | 0 | 2B | 88 BPM | ||
| Leaving home for the fields | Kin Leonn, Hiroshi Ebina | F Major | 1 | 7B | 77 BPM | ||
| Springs | Stephen Spencer | F Major | 6 | 7B | 86 BPM | ||
| Even In Kyoto I Long For Kyoto | The Kyoto Connection | A Minor | 3 | 8A | 130 BPM | ||
| Ame, Hikari | Midori Hirano | B♭ Minor | 1 | 3A | 133 BPM |