Suhasini, Y D Prasad's 'Jo Jo Lali' had a release date set for May 6, 1998. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Nee Pada Sevaye". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Jo Jo Lali's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Jo Jo Lali by Suhasini, Y D Prasad having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhim Vicharanche Moti | Adarsh Shinde | C Major | 9 | 8B | 180 BPM | ||
| Sukhkhal Futaani Chodo Balmua | Sunil Chhaila Bihari, Tripti Shakya, Rakhi | F Major | 7 | 7B | 82 BPM | ||
| Bhimrayacha Mala | Vitthal Umap | F Major | 5 | 7B | 158 BPM | ||
| Painjan Yeduchya Payach | Mahesh Dede, Chandan Kamble | A♭ Major | 9 | 4B | 105 BPM | ||
| Patavar Basale | Shakuntala Jadhav | B♭ Minor | 7 | 3A | 80 BPM | ||
| Pori Saangatay Go | Anant Panchal, Shaila Chikhale | A♭ Major | 6 | 4B | 82 BPM | ||
| Swagatha Suswagatha | Rajesh Krishnan, Suma Shastri | G Major | 4 | 9B | 78 BPM | ||
| Ranga Keli Chori Banjara | Kishor Naik, Jagadeesh, Suhasini, Vijay | B♭ Minor | 10 | 3A | 200 BPM | ||
| Bheembanch Naav | Anand Shinde | A♭ Major | 6 | 4B | 181 BPM | ||
| Bhim Jayanti 128 Bhimacha Gaan | Utkarsh Shinde, Harshad Shinde | F♯ Minor | 10 | 11A | 118 BPM | ||
| Pena Rama Kokache | Lakavath Srikanth, Balakrishnna, Suhasini | B♭ Minor | 5 | 3A | 142 BPM | ||
| Desajoni Re Chowra | Suhasini | D Major | 7 | 10B | 143 BPM | ||
| Paisa Wali Tai, Pt. 2 | Pramod More, Babu More | G Minor | 9 | 6A | 92 BPM | ||
| Ayya Oh Yesayya | Suhasini | D Major | 6 | 10B | 157 BPM | ||
| Vakda Tikda Vakda Tikda (From "Huppa Huiyya") | Ajit Parab, Swapnil Badodkar, Neha Rajpal | F Major | 6 | 7B | 133 BPM | ||
| Mud Ma Biraje Havay Mahamai | Dukalu Yadav | F♯ Major | 9 | 2B | 85 BPM | ||
| Nach Re Golapi | Madhuri Gogoi | G Major | 7 | 9B | 174 BPM | ||
| Mamari Chori Disayi Chi Pari | Shahin Shaikh, Dattaram Ade | B♭ Minor | 6 | 3A | 83 BPM | ||
| San Gauri Ganpaticha Aala | Balu Deshmukh | D♭ Major | 7 | 3B | 95 BPM | ||
| Radu Nako Bala Mi Panyala Jate | Gayatri Salve | B♭ Minor | 8 | 3A | 104 BPM | ||
| Sai Bhajan - Sai Leela Ghadlaya Shirdit | Mangesh Shirke | A♭ Major | 8 | 4B | 85 BPM | ||
| Sri Guru Katha | Padma, Suhasini | C Minor | 5 | 5A | 104 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM | ||
| Mee Sansar Majha Rekhite (From "Mee Sansar Majha Rekhite") | Bela Shende, Nilesh Moharir, Rohini Ninawe | D♭ Major | 3 | 3B | 184 BPM | ||
| Mi Mari Jasu Sodi Tu Gayi | Pandurang More, Ali Khatik | G Major | 10 | 9B | 83 BPM |