T-SQUARE's ' "CELEBRATION" was released on its scheduled release date, April 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "TRUTH". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. The popularity of CELEBRATION is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With CELEBRATION by T-SQUARE having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ocean Express | DIMENSION | F Major | 8 | 7B | 93 BPM | ||
| GONE WITH THE SADNESS | Anri | E Minor | 8 | 9A | 114 BPM | ||
| Seven Miles Bridge | Yuji Toriyama | D Major | 8 | 10B | 92 BPM | ||
| 君はハリケーン | T-SQUARE | G Major | 9 | 9B | 141 BPM | ||
| Ride On Seaside | PIPER | F Major | 6 | 7B | 159 BPM | ||
| HIGH PRESSURE | MALTA | C Major | 4 | 8B | 69 BPM | ||
| Mirage | Shigeharu Mukai | D♭ Minor | 7 | 12A | 142 BPM | ||
| A FAREWELL TO THE SEASHORE 午後の水平線 | Naoya Matsuoka | D♭ Major | 5 | 3B | 119 BPM | ||
| ドライブ・ソング | EPO | C Major | 7 | 8B | 127 BPM | ||
| Tiny Vision | DEZOLVE | E Minor | 9 | 9A | 192 BPM | ||
| Silent Rouge | Kingo Hamada | B Minor | 5 | 10A | 146 BPM | ||
| DEPARTURE IN THE DARK -AGAIN- | Jun Fukamachi | C Major | 7 | 8B | 144 BPM | ||
| ON THE MOVE | Jun Fukamachi | D Major | 9 | 10B | 120 BPM | ||
| Highway Of The Sun | PIPER | F Major | 5 | 7B | 135 BPM | ||
| kinyoubi no venus feat. yasuyuki horigome | RYUSENKEI, HITOMITOI, Yasuyuki Horigome | A Major | 6 | 11B | 115 BPM | ||
| Seat For Two | Hiroshi Sato | E Minor | 10 | 9A | 150 BPM | ||
| レティシア | Akira Inoue | D♭ Major | 5 | 3B | 95 BPM | ||
| 青いコンバーチブル | Michiya Haruhata | B Minor | 7 | 10A | 113 BPM | ||
| WHEN RAIN STOPS | Noriki | A Major | 3 | 11B | 141 BPM | ||
| Miles Away | Yuji Toriyama | G Major | 6 | 9B | 124 BPM | ||
| せめてからりと晴れてくれ | Kingo Hamada | A Major | 5 | 11B | 150 BPM | ||
| NIGHT FLOWER | NANIWA EXPRESS | B Minor | 9 | 10A | 118 BPM | ||
| GET HOT! ゲット・ホット | 菊池ひみこ | D Major | 9 | 10B | 116 BPM | ||
| Night Scanners | Masaki Matsubara | A Major | 6 | 11B | 144 BPM | ||
| LEAVE ME ALONE | T-SQUARE | E♭ Major | 6 | 5B | 74 BPM |