Ann Rachlin's ' "The Wedding Dance" was released on its scheduled release date, 1983. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Sleeping Beauty - The Story Of The Ballet". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, The Wedding Dance is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Wedding Dance by Ann Rachlin having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: XII. The Hunters Arrive | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Brian: Comedy Overture No. 2 "The Tinker's Wedding" | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 112 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Paradise of Body | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D Minor | 3 | 7A | 100 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Peter and the Wolf, Op. 67: VII. The Duck Is Caught | Wiener Opernorchester | A♭ Major | 1 | 4B | 70 BPM | ||
| Coppélia, Tableau 2: No. 10 Scène | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Horizon In Pale Gold | Joseph R Dolan, Ghibli | C Major | 2 | 8B | 120 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
| Toccata and Passacaglia: I. Toccata | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 79 BPM | ||
| Youre in Love | Alberto Moggi, Giuseppe Brittanni, Sidney Bwolser, Claire Mind | A♭ Major | 1 | 4B | 93 BPM | ||
| Fairground | Nigel Westlake | A♭ Major | 3 | 4B | 154 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Warm Lights in December | Oldies Playing | G Major | 1 | 9B | 73 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Wedgwood Blue: Wedgewood Blue | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 0 | 6B | 121 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Copenhagen Steam Railway Galop | Hans Christain Lumbye, Lavard Frisholm, Copenhagen Symphony Orchestra | A Major | 5 | 11B | 82 BPM | ||
| Processionale / Maria | Orchestra del Suono Della Musica | C Major | 4 | 8B | 93 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| The Carnival of the Animals: 5. The Elephant | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM |